| Philosophy of Photography Taking pics is one thing, but understanding why we take them, what they mean, what they are best used for, how they effect our reality -- all of these and more are important issues of the Philosophy of Photography. One of the best authors on the subject is Susan Sontag in her book "On Photography." |
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Would Henri Cartier-Bresson Do Motion Picture? |
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08-10-2012
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#1
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Dennis Van Patten
denizg7 is offline
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Would Henri Cartier-Bresson Do Motion Picture?
Do you guys think if there was a video recorder back in the days that were as small and compact as a barnack model , do you think henri would've used a video camera , instead of photograph camera?
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08-10-2012
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#2
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ʎlʇuǝɹǝɟɟıp sƃuıɥʇ ǝǝS
kdemas is offline
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He did do some movie work, specifically on the Spanish Civil War I believe.
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08-10-2012
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#3
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filmtwit is offline
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No, because small 16mm and 8mm camera's were around and he never seemed to touch either one those.
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08-10-2012
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#4
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Dennis Van Patten
denizg7 is offline
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what i was saying was what if there was a small compact 35mm body like motion picture recorder , where he could record short 3-10 secs of a person, wouldn't that be more powerful
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08-10-2012
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#5
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CNNY is offline
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You mean, like the Robot which could do up to 12 frames a second? I don't think he was interested. A still image is much easier to disseminate. You can print it in a magazine, on a poster, in a book. I think he thought stills were more powerful.
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08-10-2012
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#6
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Registered User
icebear is offline
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... non, oui, non, oui, non. NON !
There can only be one decisive moment.
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08-11-2012
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#7
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Registered User
RichC is offline
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It's not just about technology: culture has a role.
As others have mentioned, Cartier-Bresson could have easily carried and used a small cine camera. But he didn't.
Today, quite possibly.
His decisive moment is about capturing a narrative in an aesthetically compelling way. You can do something similar as a moving image, of course.
One of the tutors on my master's degree is the Magnum photographer Mark Power, and he's just made his first video - for his Black Country project. In fact, this is his first multimedia project, combining still photography, video and sound. Other Magnum photographers are going down this route too, such as Martin Parr.
This blurring in the use of media by Magnum reflects a cultural shift in how the photographic image is used and perceived within modern society.
So, if Cartier-Bresson were still alive and taking photographs, it is entirely possible he'd use video. After all, just a few years ago Mark Power was wedded to his 4x5 film camera, wholly uninterested in digital let alone video. But changes in technology and culture made digital acceptable to him, and later video (he still uses film, but now uses a Canon SLR and makes inkjet prints).
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08-11-2012
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#8
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Roger Hicks is offline
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Quote:
Originally Posted by RichC
It's not just about technology: culture has a role.
. . . .
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So does reality. Why do so many people want to project the fantasies of the present onto historical figures? One might as well ask, "Would Rembrandt have made videos?"
Cheers,
R.
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08-11-2012
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#9
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Dylan Hope is offline
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"Record the whole moment, decide later"
- (H)ypoth(e)tical(nri) Cartier-Bresson
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Cheers,
Dylan Hope
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08-11-2012
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#10
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doolittle is offline
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He might have used such a device, but set the selector switch to photo.
Videos were hard to sell back then.
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08-11-2012
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#11
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My Red Dot Glows For You
Gabriel M.A. is offline
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Quote:
Originally Posted by denizg7
Do you guys think if there was a video recorder back in the days that were as small and compact as a barnack model , do you think henri would've used a video camera , instead of photograph camera?
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Instead of? Since he died no more than seven years ago, and video recorders have been available way longer before than that, I would assume the answer would have to be found there.
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08-11-2012
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#12
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Registered User
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Quote:
Originally Posted by Roger Hicks
Why do so many people want to project the fantasies of the present onto historical figures? One might as well ask, "Would Rembrandt have made videos?"
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Now that's a far more pertinent question!
I was just replying to the original poster, and, to be honest, I'm more interested in your post! I'm not especially bothered by what medium someone (living or dead) uses. Unless it affects me directly - very unlikely.
Going back to why this type of question is asked, perhaps it illuminates the concerns of the questioner.
I suspect that often such questions are not really about the historical figure per se but symptomatic of an attitude to technology and change - in the case of photography, the extremes of feeling threatened by the extinction of film or incomprehension of those who refuse to see digital technology as the future of photography and continue to use archaic and inefficient practices. (Of course, neither extreme is helpful nor correct.)
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08-11-2012
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#13
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Dennis Van Patten
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this is becoming too philosophical
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08-11-2012
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#14
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Registered User
doolittle is offline
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Quote:
Originally Posted by denizg7
this is becoming too philosophical
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Well it is the Philsophy of Photography forum! I would argue though that RichC pertinent point is more psychological.
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08-11-2012
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#15
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has no mustache
jonasv is offline
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Quote:
Originally Posted by doolittle
Well it is the Philsophy of Photography forum! I would argue though that RichC pertinent point is more psychological.
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We should have a Psychology of Photography forum as well, then.
And argue for days about which forum a posts belongs in! 
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08-11-2012
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#16
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daveleo is offline
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Maybe he would have opted for one of the new 12fps DSLR's, held down the shutter button on a scene and picked the one "decisive frame" from the lot, print and frame it.
(Once he got the hang of doing that, he'd probably shoot the Olympics )
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08-11-2012
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#17
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jultou is offline
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He would not do 12fps, he was saying:
"not strafe to avoid cluttering the mind"
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08-11-2012
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#18
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tj01 is offline
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He was Jean Renoir's apprentice for many years studying motion film, as an assistant director.
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08-11-2012
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#19
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Marcelo
umcelinho is offline
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Yes, but he would use his iPhone for filming only.
Oh, and he would also use instagram.
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08-11-2012
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#20
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Marcelo
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Quote:
Originally Posted by Roger Hicks
So does reality. Why do so many people want to project the fantasies of the present onto historical figures? One might as well ask, "Would Rembrandt have made videos?"
Cheers,
R.
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I really don't get it either. Each to their time and technology. Would all the renaissance painters ditch paint and canvas and shoot digital? Most certainly. Would Van Gogh be a bokeh whore? You bet.
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08-11-2012
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#21
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Registered User
icebear is offline
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Quote:
Originally Posted by PKR
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The Leica M adapter is only working for focal length 50mm or above, that a little limiting for street shooting.
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08-11-2012
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#22
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Dennis Van Patten
denizg7 is offline
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Quote:
Originally Posted by umcelinho
Yes, but he would use his iPhone for filming only.
Oh, and he would also use instagram.
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i think he would extremly extremly hate instagram,
he was very picky about the process his images would be devoloped and printed without compromise , instagram is extremly low res
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08-11-2012
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#23
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Registered User
charjohncarter is offline
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He might but certainly not in Hollywood.
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08-13-2012
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#24
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Moderator
jsrockit is offline
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Quote:
Originally Posted by denizg7
Do you guys think if there was a video recorder back in the days that were as small and compact as a barnack model , do you think henri would've used a video camera , instead of photograph camera?
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Since he was influenced by painting... maybe not. You can never figure this type of stuff out. Luckily, history has been written and we have some great photos to view.
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08-13-2012
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#25
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Registered User
Roger Hicks is offline
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Quote:
Originally Posted by jsrockit
. . . Luckily, history has been written and we have some great photos to view.
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It can always be rewritten. Especially in Hollywood...
Cheers,
R.
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