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View Poll Results: Favourite 400 Speed Film?
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Kodak TriX 400
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748 |
41.67% |
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Kodak TMAX 400
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198 |
11.03% |
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Ilford Delta 400
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112 |
6.24% |
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Ilford HP5 Plus 400
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533 |
29.69% |
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Efke KB400
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12 |
0.67% |
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Fomapan 400
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31 |
1.73% |
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Fuji Neopan 400
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296 |
16.49% |
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Rollei R3 400
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10 |
0.56% |
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Forte Fortepan 400
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2 |
0.11% |
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Arista EDU Ultra 400
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17 |
0.95% |
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Arista II 400
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9 |
0.50% |
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Another unlisted 400
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95 |
5.29% |
05-24-2012
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#376
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Sam I Am
yossarian123 is offline
Join Date: Jul 2011
Location: Chicago
Age: 36
Posts: 608
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I've been working off a brick of HP5 and I really like it at 800 in HC-110. For 320 & 400 I still vastly prefer Tri-X.
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05-29-2012
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#377
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Street Shooter
Sylvester is offline
Join Date: Jul 2011
Location: Montréal, Qc, Canada
Age: 18
Posts: 245
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Tri-X + D76...
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Olivier Sylvestre, Montréal
Leica M6 Classic, Canon 5D, Konica Autoreflex T, Polaroid Automatic Land Cameras, Multiple Holgas and Diana.
http://mistersylvestre.com/
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05-29-2012
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#378
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Registered User
stupidfish is offline
Join Date: Jun 2011
Location: Ohio
Age: 22
Posts: 9
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legacy pro 400, just because i had the development down so well. i was able to fix metering errors fairly easily.
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06-06-2012
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#379
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Registered User
maxwell1295 is offline
Join Date: Jul 2011
Posts: 385
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I'm loving Arista Premium 400/Tri-X these days, especially when I can get decent results at 1600. Here are a few recent samples shot a 1600 and stand developed in Rodinal (120 mins, 30 sec initial agitation, 2 inversions every 30 mins)
Hangin' Loose by alanabramsphotography, on Flickr
Basement 2 by alanabramsphotography, on Flickr
__________________
Canon EOS 3, Kiev 4 & 4a, Olympus OM-1
Pentax 6x7, Polaroid 340, Rollei 35S, Rollei 35,
Yashica Mat 124G, Zeiss Ikon Nettar 518/16
My Website
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06-06-2012
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#380
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Registered User
BobYIL is offline
Join Date: Sep 2009
Posts: 1,314
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[quote=maxwell1295;1897562]I'm loving Arista Premium 400/Tri-X these days, especially when I can get decent results at 1600. Here are a few recent samples shot a 1600 and stand developed in Rodinal (120 mins, 30 sec initial agitation, 2 inversions every 30 mins)
I think your "Swimming pool" picture is a far better sample to demonstrate what you achieved with the same combination.
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06-06-2012
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#381
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Registered User
maxwell1295 is offline
Join Date: Jul 2011
Posts: 385
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Thanks Bob.....i assume you mean this one?
Pool by alanabramsphotography, on Flickr
__________________
Canon EOS 3, Kiev 4 & 4a, Olympus OM-1
Pentax 6x7, Polaroid 340, Rollei 35S, Rollei 35,
Yashica Mat 124G, Zeiss Ikon Nettar 518/16
My Website
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06-09-2012
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#382
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Registered User
BobYIL is offline
Join Date: Sep 2009
Posts: 1,314
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Quote:
Originally Posted by maxwell1295
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Yes. Pushing an ISO 400 film to 1600 usually results in losing a couple of zones if not also ending up with high contrast. The above sample illustrates a fine example obtained through appropriate processing; medium contrast, plenty of mid-tones, acceptable graininess, to make the onlooker wonder about if it really was a 1600 ISO shot.
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07-02-2012
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#383
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Registered User
danielmk2 is offline
Join Date: Jan 2011
Posts: 42
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Quote:
Originally Posted by maxwell1295
I'm loving Arista Premium 400/Tri-X these days, especially when I can get decent results at 1600. Here are a few recent samples shot a 1600 and stand developed in Rodinal (120 mins, 30 sec initial agitation, 2 inversions every 30 mins)
Hangin' Loose by alanabramsphotography, on Flickr
Basement 2 by alanabramsphotography, on Flickr
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That's awesome! I've been trying stand developing the Tri-x and HP5 with rodinal but never got good result. It was just grains and grains. What you did has just changed my mind of the "Rodinal incapability".
What's the dilution for this stand develop?
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07-02-2012
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#384
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Registered User
maxwell1295 is offline
Join Date: Jul 2011
Posts: 385
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Quote:
Originally Posted by danielmk2
That's awesome! I've been trying stand developing the Tri-x and HP5 with rodinal but never got good result. It was just grains and grains. What you did has just changed my mind of the "Rodinal incapability".
What's the dilution for this stand develop?
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I've been using 3.5ml of Rodinal per roll of 35mm film, which seems to work well for me.
That being said, I just picked up some Diafine to see if I can get better results. From what I've seen, that appears to be THE developer for pushing Tri-X to 1600 or even 3200.
__________________
Canon EOS 3, Kiev 4 & 4a, Olympus OM-1
Pentax 6x7, Polaroid 340, Rollei 35S, Rollei 35,
Yashica Mat 124G, Zeiss Ikon Nettar 518/16
My Website
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07-02-2012
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#385
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Registered User
danielmk2 is offline
Join Date: Jan 2011
Posts: 42
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Quote:
Originally Posted by maxwell1295
I've been using 3.5ml of Rodinal per roll of 35mm film, which seems to work well for me.
That being said, I just picked up some Diafine to see if I can get better results. From what I've seen, that appears to be THE developer for pushing Tri-X to 1600 or even 3200.
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Thanks! I'll try Rodinal again next time. I hear that Diafine would be also fine for pushing. I use D76 1+1 pushing Tri-X to 3200 and it's pretty good

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07-06-2012
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#386
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Registered User
anjoca76 is offline
Join Date: Aug 2010
Location: Boston, MA
Posts: 497
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I usually shoot Tri-X, but this weekend I shot and souped in D76 a couple rolls of Ilford HP5, along with some Tr-X, and forgot how awesome HP5 is. Tri-x still has its own unique character that I like, but I have to admit, that HP5 is amazing stuff--finer grain, smoother tones overall. Less contrast than Tri-X, but that's something I can always bump up in post if need be. I'm going to shoot some more of it this weekend.
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Andy
Flickr
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07-12-2012
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#387
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Registered User
Sam Kanga is offline
Join Date: Sep 2010
Location: Toronto, Canada
Posts: 49
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Tri-X or Hp5 in Microphen 1:1
- minimizes the grain a little, and lets me push to 800 if I need to
http://www.redgap.ca/samkanga.india.bw/
Thx
sam
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07-12-2012
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#388
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Registered User
Pioneer is offline
Join Date: Dec 2011
Posts: 351
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I like Arista EDU Ultra 400 black and white film. It is inexpensive, gives great images if I do my part, and is very flexible. I can also use it in 35mm, 120 and 4x5 so I don't have to learn a new type of film for each format.
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08-29-2012
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#389
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Registered User
aldobonnard is offline
Join Date: Mar 2009
Posts: 256
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Ilford Delta 400 + DDX : finest grain ever, slightly higher sensitivity in the reds, full mid tones. Can be pushed a lot (+3) without problem.
Neopan 1600 or 400 + Ilfotec HC 1+31: extra sharp and fine and nice grain, good contrast as usual with Neopan. Needs careful and gentle agitation at processing.
These 2 combinations have given me the greatest results both in the darkroom and scan.
Unfortunately Delta 400 and Neopan 400 prices have gone up recently :-(
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09-26-2012
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#390
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Registered User
Erik van Straten is offline
Join Date: May 2008
Posts: 2,320
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Leica M3, Summilux 50mm f/1.4 v2, TriX developed in Microdol.
Amboise, 1986.
Erik.

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09-26-2012
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#391
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Registered User
Russ is offline
Join Date: Dec 2003
Location: In the Couve
Posts: 936
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Neopan 400 souped in X-Tol
__________________
Russ (Kiron Kid)
"A photograph that mirrors reality, cannot compare to one that reflects the spirit"
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09-26-2012
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#392
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Registered User
DanT is offline
Join Date: Jul 2011
Posts: 78
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I really like Neopan 400, but recently HP5+ has been really growing on me.
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09-26-2012
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#393
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Registered User
Lawrence A. is offline
Join Date: Aug 2012
Location: Albuquerque
Posts: 474
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HP-5+. Tri-x is a close second.
__________________
Du noir s'en vient
Le clair qu'il a.
Guillevic
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09-27-2012
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#394
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Registered User
steveyork is offline
Join Date: Aug 2008
Posts: 310
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Tri-x or Neopan for me. I like XP2 too, but it's expensive.
HP5 is nice, but I prefer a little more contrast.
Arista.edu is very grainy for a 400 film.
TMAX is soooo bland. Nor am I a big fan of Kodak's C41 stuff.
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10-08-2012
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#395
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Scale focus fan
lxmike is offline
Join Date: Jun 2008
Location: Co Durham NE England
Posts: 1,049
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Ive always loved HP5
__________________
Presently loaded: Olympus 35 Trip, AX4, XA, XA2, AX2 (blue), Rollei 35T, and Rollei 35B.
Soon to arrive: Rollei 35 original (German), Rollei 35 S (Singapore)
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10-08-2012
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#396
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Registered User
RObert Budding is offline
Join Date: Oct 2004
Location: Arlington, Massachusetts
Posts: 1,198
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Quote:
Originally Posted by steveyork
. . . HP5 is nice, but I prefer a little more contrast. . .
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Contrast is completely controllable by altering development time. So what is the issue?
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10-09-2012
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#397
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Olympus E-M5/Nikon FE
DNG is offline
Join Date: Jul 2009
Location: Camby, Indiana
Age: 59
Posts: 2,240
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Quote:
Originally Posted by steveyork
HP5 is nice, but I prefer a little more contrast.
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Add 15% more time as starting place. increase in 5% increments till you get the contrast you want.
DON'T Change anything else, or you won't know what caused the change in contrast. Change time for major shifts in contrast..
Use agitation as a fine tuning tool after you get "YOUR" time/temp.
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10-09-2012
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#398
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Registered User
Bill Clark is offline
Join Date: Dec 2004
Location: Minnetonka, Minnesota
Age: 65
Posts: 426
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Tri-X
Been using it for 50 plus years!
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Have a wonderful day! Smiles!
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10-24-2012
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#399
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Registered User
Messsucherkamera is offline
Join Date: Oct 2011
Location: Midwest USA
Posts: 108
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My favorite is Kodak Tri-X developed in D76 @1:1 strength. The results are simply beautiful.
__________________
"The winter leeks
have been washed white
how cold it is!"
- Matsuo Basho
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10-28-2012
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#400
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Film, the next evolution.
Ming Rider is offline
Join Date: May 2009
Location: The District of Lakes.
Posts: 281
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Ilford HP5+ in Rodinal 1:50. Yum 
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"All I ask for is an M5 with a fast 50, a roll of HP5 and a street to shoot her by." Ming Rider, today.
streetphotographyblog
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