| Image Processing: Darkroom / Lightroom / Film Discuss Image processing -- traditional darkoom or digital lightroom here. Notice there are subcategories to narrow down subject matter. . |
10-16-2006
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#26
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Pablo Maturana
matu is offline
Join Date: Nov 2004
Location: Chile, South America
Age: 42
Posts: 230
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Ted, look here at this page.
http://www.fotoburzapraha.cz/ofotogr...f_fomapan.html
It´s in Czechoslovakian but I figured out the times.
I tried 100,200 and 400 speeds, but I liked it better Fomapan 200, using it with microphen I can push it for indoors or can be used outdoors with very fine grain.
Regards,
Pablo
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CV Color Heliar 75/2.5
Industar 50 Collapsable.
Black Jupiter 9 and
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09-23-2012
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#27
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packin' light
buzzardkid is offline
Join Date: Jun 2007
Location: Assen, The Netherlands
Age: 42
Posts: 6,854
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BUMPing this because Fomapan is an often-forgotten alternative to Fujifilm, Kodak and Ilford.
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Cheers, Johan
Leica II (1932), Elmars 50 & 135, Heliar 50: the nickel kit
Leica II (1942), Minifinder, Canon 28, W-Nikkor 35, Elmar 90: the chrome kit
Ricoh GXR Monochrom
Visit johanniels.com!
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09-23-2012
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#28
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Antti Sivén
Rogrund is offline
Join Date: Dec 2006
Location: Lund, Sweden
Age: 45
Posts: 2,107
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My M6 is loaded with my first-ever roll of Fomapan 400, looking forward to see the results.
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09-23-2012
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#29
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fallor ergo sum
john neal is offline
Join Date: Jan 2005
Location: Albion
Posts: 1,484
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I used a lot of Foma in 120 in my toy camera phase - great film with loads of silver (except one variant, which I forget - is a new technology crystal type, like T-Max)
Good results in so many developers
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Regards,
John
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09-23-2012
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#30
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Registered User
it'sawhat? is offline
Join Date: May 2011
Posts: 113
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Johan alternative hell it's my primary film second choice is fuji acros. 
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09-23-2012
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#31
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Registered User
Michael Markey is offline
Join Date: Dec 2008
Location: Blackpool ,England
Age: 62
Posts: 2,166
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I`ve bulk loaded and used the 100 ....lovely film.
Have 10 rolls of the 400 ,which I `ve never previously used , in the fridge.
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09-23-2012
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#32
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Registered User
mfogiel is offline
Join Date: May 2007
Location: Monaco
Posts: 2,642
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Fomapan 200 works good with Rodinal 1:50, but it works best with FX39 - a tip I got from Roger Hicks. In both cases it is wise to expose at EI 125.
However, I have had a lot of PITA with this fim due to holes in emulsion. I managed to eliminate the problem only after starting to use Moersch Alkali Fix (alkaline fixer), and BTW I never use a stop bath.
It looks like acid process exacerbates the tendency to show these holes in the emulsion.
If you control this, the results can be very rewarding for the sharpness and tonality - particularly for metallic objects and potrtraiture. I would only avoid using this film for landscape, because the blue base seems to be helping to keep the skies well washed out, even when shooting with filters.
20081038 by mfogiel, on Flickr
20093716 by mfogiel, on Flickr
2008090313 by mfogiel, on Flickr
20095513 by mfogiel, on Flickr
MF20121110 by mfogiel, on Flickr
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09-23-2012
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#33
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Registered User
Photo_Smith is offline
Join Date: May 2012
Posts: 584
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I like Foma film, the 100 is a good all rounder similar in character to APX and is certainly a multilayer cubic grain. The 400 is grainy for it's speed which unless you use a speed increasing dev is less than box speed probably 250-320 depending on developer.
This is the 200 in Rodinal 1:100
The 200 had problems with pin holes in the emulsion (although I never saw the problem) They shut the line down and reformulated the emulsion, any stock in the shops is now the new improved version.
Here are tests i did in 2007
100
http://photo-utopia.blogspot.co.uk/2...zech-firm.html
200
http://photo-utopia.blogspot.co.uk/2...-acording.html
The 400 is has probably the biggest grain of it's speed type, so it is great for getting nice traditional looking grain at wider apertures or brighter conditions.

Last edited by Photo_Smith : 09-23-2012 at 23:58.
Reason: Added information about 400 film
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09-23-2012
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#34
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Real Men Shoot Film.
Chriscrawfordphoto is offline
Join Date: Apr 2007
Location: Fort Wayne, Indiana
Age: 37
Posts: 5,871
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I've used the Foma 100 and 400 films developed in D-76 1+1. I like the 100 a lot. Here's an example in 120 size:
The 400 has nice tonality too, but I have not used much of it since I have tons of Tri-X on hand. Here's a 35mm example of the 400 done by a friend:
I have developing times I've tested on my website here:
http://chriscrawfordphoto.com/technical/developing.php
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09-23-2012
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#35
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Registered User
MartinP is offline
Join Date: Jul 2006
Location: Netherlands
Posts: 1,998
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Quote:
Originally Posted by mfogiel
I would only avoid using this film for landscape, because the blue base seems to be helping to keep the skies well washed out, even when shooting with filters.
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There may be a slightly different reason for the effect you have seen, as the image-forming light does not pass through the filmbase.
I have a suspicion that the Dutch 'Hema' films (store-brand, sold nationally until a few years ago) were from Foma too.
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09-23-2012
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#36
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Registered User
maxwell1295 is offline
Join Date: Jul 2011
Posts: 379
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I love the Fomapan films and buy the Arista.EDU versions from Freestyle.
I don't use the 400 in 35mm (I use Tri-X there) but I really like the 100 film in both 35 mm and 120. I also use the 400 120 film.
Fomapan 100 (35mm)
Hydrant by alanabramsphotography, on Flickr
Grant 3 by alanabramsphotography, on Flickr
Vespa by alanabramsphotography, on Flickr
Arista.EDU/Fomapan 400 (120)
Mini2 by alanabramsphotography, on Flickr
Bathroom1 by alanabramsphotography, on Flickr
Northport Harbor 2 by alanabramsphotography, on Flickr
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09-23-2012
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#37
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Always carry a camera
rich815 is offline
Join Date: Dec 2004
Location: San Francisco
Posts: 1,564
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Excellent work! Love the dog in particular.
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09-23-2012
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#38
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Registered User
oceanpriest is offline
Join Date: Nov 2011
Posts: 29
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I love Fomapan 100 both 135 and 120 format
Fomapan 100 in Rodinal
Fomapan 100 in Caffenol
Fomapan 100 in D76

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09-23-2012
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#39
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Registered User
haempe is offline
Join Date: Mar 2010
Posts: 1,335
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Revisited FOMA too these days.
Can someone compare the new version of the 200 vs. the old one?
I have seen, it lost the "T" in the name. Will this affect how it works with special TGrain devs?
The net is full with reports how well the old FOMA T200 worked with these developers.
Thanks,
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New is the new good.
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09-23-2012
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#40
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Registered User
DominikDUK is offline
Join Date: Aug 2011
Location: Vienna, Austria
Posts: 294
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Quote:
Originally Posted by haempe
Revisited FOMA too these days.
Can someone compare the new version of the 200 vs. the old one?
I have seen, it lost the "T" in the name. Will this affect how it works with special TGrain devs?
The net is full with reports how well the old FOMA T200 worked with these developers.
Thanks,
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It's still the same film it lost the T quiet a long time ago due to copyright problems T-Max
Dominik
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09-23-2012
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#41
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Registered User
gian is offline
Join Date: Sep 2008
Location: Switzerland
Age: 31
Posts: 185
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09-23-2012
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#42
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Registered User
haempe is offline
Join Date: Mar 2010
Posts: 1,335
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Quote:
Originally Posted by DominikDUK
It's still the same film it lost the T quiet a long time ago due to copyright problems T-Max
Dominik
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Ah, thanks for this info.
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New is the new good.
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09-24-2012
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#43
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packin' light
buzzardkid is offline
Join Date: Jun 2007
Location: Assen, The Netherlands
Age: 42
Posts: 6,854
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gian,
nice shots! Particularly like the laundry and airco's shot for combining old and modern China!
May I ask: what scanner and negative holder do you use? I love the black borders showing the sprocket holes and the white around that!
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Cheers, Johan
Leica II (1932), Elmars 50 & 135, Heliar 50: the nickel kit
Leica II (1942), Minifinder, Canon 28, W-Nikkor 35, Elmar 90: the chrome kit
Ricoh GXR Monochrom
Visit johanniels.com!
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09-24-2012
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#44
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Registered User
gian is offline
Join Date: Sep 2008
Location: Switzerland
Age: 31
Posts: 185
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Johan
these are scan of darkroom prints, scanned with epson 4870... I get the black borders with a filed out negative carrier on my enlarger
cheers
Andreas
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09-24-2012
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#45
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Registered User
Girmantas is offline
Join Date: May 2005
Posts: 104
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09-24-2012
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#46
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Registered User
bwcolor is offline
Join Date: Jul 2009
Location: S.F. Bay Area
Posts: 2,172
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I've only used 100 and 400. The 400 grain in XTOL was not what I wanted. I mistakenly started with Rodinal, which certainly has a look that could be used in with certain subjects/lighting. I still have some in 120. The images above certainly make me more interested in giving it a second try. I know that I won't use the 400 in 35mm, but the 200 has me interested.
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09-25-2012
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#47
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Registered User
maxwell1295 is offline
Join Date: Jul 2011
Posts: 379
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I shot a roll of 400 in my Mamiya 645e earlier today. Rated at at 250 and developed it in D-76 (1:1) for 10mins @ 20c. I'll try to post something later on when it dries.
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Canon EOS 3, Kiev 4 & 4a, Olympus OM-1
Pentax 6x7, Polaroid 340, Rollei 35S, Rollei 35,
Yashica Mat 124G, Zeiss Ikon Nettar 518/16
My Website
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09-25-2012
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#48
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Registered User
maxwell1295 is offline
Join Date: Jul 2011
Posts: 379
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Here's the 400....Arista.EDU Ultra 120 shot at 200 and developed in D76 for 10 mins.
Grant by alanabramsphotography, on Flickr
Grillin' by alanabramsphotography, on Flickr
Richie by alanabramsphotography, on Flickr
Tractor by alanabramsphotography, on Flickr
__________________
Canon EOS 3, Kiev 4 & 4a, Olympus OM-1
Pentax 6x7, Polaroid 340, Rollei 35S, Rollei 35,
Yashica Mat 124G, Zeiss Ikon Nettar 518/16
My Website
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09-25-2012
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#49
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Don't call me Ron
Ronald_H is online now
Join Date: Feb 2008
Location: Helmond, The Netherlands
Age: 41
Posts: 1,584
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Fomapan 100 works very well for me, most notably in Diafine. I used some rolls of 200, but it had severe scratches on the emulsion, bad batch? This is shot with the Hasselblad 500 C/M on Fomapan 100. I think this was developed in HC-110.
Evelien - Strijp S Photo shoot by Ronald_H, on Flickr
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09-27-2012
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#50
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Registered User
maxwell1295 is offline
Join Date: Jul 2011
Posts: 379
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A couple of months ago I attended a soccer match at Yankee Stadium. I made the mistake of exposing Fomapan 100 @ 1600.
I ended up doing semi-stand development in Rodinal 1+50 for 45mins with something like 1 inversion every 5 mins. Obviously not something I would try again.
Soccer by alanabramsphotography, on Flickr
Ronaldo by alanabramsphotography, on Flickr
Celebration by alanabramsphotography, on Flickr
__________________
Canon EOS 3, Kiev 4 & 4a, Olympus OM-1
Pentax 6x7, Polaroid 340, Rollei 35S, Rollei 35,
Yashica Mat 124G, Zeiss Ikon Nettar 518/16
My Website
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