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SLRs - the unRF For those of you who must talk about SLRs, if only to confirm they are not RF.

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Old 10-20-2012   #2851
TXForester
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Quote:
Originally Posted by sreed2006 View Post
I'm spot metering each scene and setting the exposure for the shadows, then taking notes on the meter readings and predicting which of the development methods will give the best results.
I'm a bit confused here why you are using different bodies other than convenience. What controls have have you set up for differences in metering (differences in meter patterns between bodies, meters out of tolerances, etc.)? Are you using a different EI (setting the ASA dial to different ASA) to match exposures between cameras regardless of the meter reading? I'm just curious, so asking the questions I'd ask myself. Feel free to ignore me.
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Old 10-20-2012   #2852
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Quote:
Originally Posted by TXForester View Post
I'm a bit confused here why you are using different bodies other than convenience. What controls have have you set up for differences in metering (differences in meter patterns between bodies, meters out of tolerances, etc.)? Are you using a different EI (setting the ASA dial to different ASA) to match exposures between cameras regardless of the meter reading? I'm just curious, so asking the questions I'd ask myself. Feel free to ignore me.
I won't ignore you, since those are good questions. All of this is just for my education so it takes a lot of extra steps to take the pictures in a way that I will learn something useful, and that includes getting the meter readings done accurately.

After the first camera has been set up on the tripod and the composition chosen, I make a sketch of the scene in a notebook.

Then I use a handheld spot meter to do all of the metering of the scene, and record that on the sketch (the significant readings, anyway). Then I choose the shutter speed and aperture that will give me a Zone III at the selected shadow area, and write that down.

The OM-1n and OM-3Ti are manual cameras, and I put the OM-4s and the OM-2n into Manual mode. All five cameras get set to the same shutter speed and the lenses get set to the same aperture and focus distance for each five-shot sequence. One problem with this is if the light changes due to clouds, then the careful metering goes out the window - so I try only to take pictures when the light will stay constant.

As for shutter speed differences, all I can say is that John Hermanson serviced all but the OM-3Ti, so they are is in as good a shape as they can be. I don't expect that the shutter speeds are exactly the same, but they are within tolerance.

Since all five negatives are exposed exactly the same (within tolerance), the only difference in the negative's contrast should be due to the development. I look forward to getting there.


Zone System Study Kit, 2 by sreed2006, on Flickr


Zone System Study, 3 by sreed2006, on Flickr
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Last edited by sreed2006 : 10-20-2012 at 07:41. Reason: Added picture. Added another picture.
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Old 10-20-2012   #2853
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Thanks for the answer and showing me I was having senior moment (early onset senility ). I've done something similar using a handheld meter or a meter from a third camera to evaluate differences in two other cameras. Don't know why I didn't think of using a handheld meter as the control. [/ insert Home Simpson D'oh! ]
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Old 10-20-2012   #2854
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Do you want to borrow 3 more?

Let me know...
Quote:
Originally Posted by sreed2006 View Post
I knew I forgot something.

Actually, I am using two 50/1.8 lenses. One stays on the OM-3Ti so that the mount plate is not getting all scratched up. The remaining cameras share another 50/1.8 lens.

So far, I have not found a way to swap the 50/1.8 lens from one body to another without moving either the focus ring, the aperture ring, or both. So, it all has to be reset before the shutter fires. I don't recommend this as a day-to-day method of taking photographs.
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Old 10-20-2012   #2855
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Nice start Pgadler. It's a beautiful set.

Welcome to the asylum.

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Well, You've got to start somewhere to someday possibly reach the impressive gear line-ups in this thread. And this is all Your fault.... :-)

I started reading this thread, and have just required an OM-2n with 50/1.4.


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Old 10-20-2012   #2856
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Quote:
Originally Posted by wblynch View Post
Do you want to borrow 3 more?

Let me know...
Actually, by using the same lens on several cameras, with the same settings, I hope to eliminate any variables. It's kind of a pain, but not that bad.

Thank you for the offer, though, it's kind of you.
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Old 10-20-2012   #2857
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Quote:
Originally Posted by TXForester View Post
Thanks for the answer and showing me I was having senior moment (early onset senility ). I've done something similar using a handheld meter or a meter from a third camera to evaluate differences in two other cameras. Don't know why I didn't think of using a handheld meter as the control. [/ insert Home Simpson D'oh! ]
Getting the metering right is tricky. Someone posted here awhile back the old saying, "A man with one watch always knows what time it is. A man with two watches is never sure." I figure it's the same with light meters - that's why I just use one meter for this study.
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Old 10-20-2012   #2858
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Sid, that's a good strategy for this exercise. I know very little about calibrating meters, but I do know that a meter calibration is only good for a certain range of EVs. That is, calibrating from say EV 4 to 13 may yield different results than EV 1 to 10. IOW, most meters are not linear over their entire exposure range. At least that's my understanding.
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Old 10-20-2012   #2859
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Sid, that's a good strategy for this exercise. I know very little about calibrating meters, but I do know that a meter calibration is only good for a certain range of EVs. That is, calibrating from say EV 4 to 13 may yield different results than EV 1 to 10. IOW, most meters are not linear over their entire exposure range. At least that's my understanding.
They are if properly calibrated that is not an issue. Getting them calibrated correctly was hard in the old days of meters that read with moving needles, and what you said was often true, but modern digital meters can be and should be absolutely perfect across the whole range.

I have a Minolta Autometer IIIf, a Minolta Flash Meter IV and a Minolta Flash Meter VI. They match each other perfectly, not even 1/10 stop difference. Not only do they agree with each other, but I've shot with slide film in all light levels with them and never had an imperfect exposure.
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Old 10-21-2012   #2860
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I took my OM-4ti and some Tri-X to the big trade union demonstration in London yesterday:









All with either 35mm or 85mm f2.
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Old 10-23-2012   #2861
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I have seen a OM-4 for sale here in NZ at what appears to be a good price and as you do I have been considering adopting it. Do all OM-4s use batteries at a high rate or is it just some, or only from a certain serial number? This one is a plain OM-4 not Ti or anything like that.
http://www.trademe.co.nz/electronics...-526374231.htm
If no one knows I'll just ask the seller but of course he might not tell me the whole truth!
I'm sure it has been mentioned somewhere in the last 115 pages but I don't want to have to read them all
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Old 10-23-2012   #2862
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If the battery check beep goes silent after 30 seconds or so, it has the updated circuitry.

You can remove the batteries when not in use.
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Old 10-23-2012   #2863
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That's what I remember reading ... Thanks

I had an OM-2 SP and it ate batteries like they were lollies :-( Don't really want to go through that again.
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Old 10-25-2012   #2864
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I have to admit that the ring light makes the blue flashier than it is. In reality it looks a lot more conservative.
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Old 11-05-2012   #2865
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Smoking by alanabramsphotography, on Flickr



Traffic by alanabramsphotography, on Flickr


Eat Cuban 2 by alanabramsphotography, on Flickr
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Old 11-07-2012   #2866
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There's a lot of love here for the single digit bodies. I recently purchased an OM-40 for $25.

I definitely like the handling of the OM-40. I took it on vacation for two weeks. I'm looking forward to seeing the results.

Anyone else using the consumer grade OMs?
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Old 11-07-2012   #2867
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There's a lot of love here for the single digit bodies. I recently purchased an OM-40 for $25.

I definitely like the handling of the OM-40. I took it on vacation for two weeks. I'm looking forward to seeing the results.

Anyone else using the consumer grade OMs?

I have the OM-PC/40. I love the ESP metering for slide film. Never get a bad exposure.

I prefer Auto mode to the Program mode. It suits me better.

I also have OM-10's and gave away my OM-G.

I love the consumer grade OM's. They are great and reliable. Typically lightly used and low priced.

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Old 11-07-2012   #2868
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Has anyone heard from John Hermanson in a while? I emailed him a couple times last week before I realized that he lived in an area Hurricane Sandy went through. I hope he's okay!
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Old 11-07-2012   #2869
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Has anyone heard from John Hermanson in a while? I emailed him a couple times last week before I realized that he lived in an area Hurricane Sandy went through. I hope he's okay!
I sent him an email last week and have not heard back, yet.

There are still a lot of power outages on Long Island, and around Huntington, but I have no information on whether or not he is still without power. [http://www.lipower.org/stormcenter/outagemap.html]

I sure do hope he and his neighbors get through all this safely and securely.
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Old 11-09-2012   #2870
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Question, does anyone know of a good tutorial on removing the top plate of an OM-1 ? I suspect mine has the rotting foam issue and want to get a handle on it soon.

Shot on Kodak Gold 100, Dwaynes Photo scan, probably used the 50 f1.8...

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Old 11-09-2012   #2871
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Question, does anyone know of a good tutorial on removing the top plate of an OM-1 ? I suspect mine has the rotting foam issue and want to get a handle on it soon.
http://olympus.dementix.org/Hardware...val/index.html
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Old 11-09-2012   #2872
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Thank you! I have been to this website before but never saw this page about removing the top plate.
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Old 11-10-2012   #2873
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If I ever load up five cameras again to do side-by-side comparison shots with them, it will NOT be 36 exposure rolls. That's too many frames to do in a reasonable amount of time.

Today, after a few more identical shots with the 5 OM cameras, I just took each of them out one at a time and took the 5 or 6 remaining frames on each roll. Tomorrow I develop the 5 rolls: one at N-1, one at N-2, one at N, one at N+1 and one at N+2. The end of this project is near! It started in July.
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Old 11-12-2012   #2874
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Has anyone heard from John Hermanson in a while? I emailed him a couple times last week before I realized that he lived in an area Hurricane Sandy went through. I hope he's okay!
I received an email from John this morning (Monday, November 12, 2012).

The power is back on, after 12 days without since hurricane Sandy.
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Old 11-12-2012   #2875
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I received an email from John this morning (Monday, November 12, 2012).

The power is back on, after 12 days without since hurricane Sandy.
That's good news. Is he OK?
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