05-10-2011
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#26
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phound photography
noimmunity is offline
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With the camera set on A and exp comp of -2/3 to -1, I first pan the entire frame to see what kind of stop range is involved, then usually choose an f-stop in the middle, higher or lower depending on what I want to emphasize. Then I play with Kelvin settings, curves, RGB levels, color, saturation and hue in post to create the atmosphere that I remember from the moment. Pretty standard stuff, I suppose.
I can't wait to get back the rolls of RVP 50 I shot at the same time.
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jon 小強
搬到畫國後免疫系統變得超強,所過的生活宅到不行!
The old adage says: Seeing is believing. To me, that doesn't mean that the world seen is the truth, it means rather that seeing is a field in which the purity of heart is expressed--or not, depending upon whatever happens to cloud that purity at any given moment.
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05-10-2011
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#27
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The man who shot film
sanmich is offline
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I discovered the 28 FL about two years ago, and like it very much...
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Michael
Gloire a qui n'ayant pas d'ideal sacro-saint se borne a ne pas trop emmerder ses voisins (Brassens)
GAS rehab
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05-10-2011
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#28
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Registered User
setyotomo is offline
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have a good light, and a great life
Last edited by setyotomo : 05-10-2011 at 22:09.
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05-10-2011
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#29
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My Red Dot Glows For You
Gabriel M.A. is offline
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Location: Paris, Frons
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Quote:
Originally Posted by noimmunity
With the camera set on A and exp comp of -2/3 to -1, I first pan the entire frame to see what kind of stop range is involved, then usually choose an f-stop in the middle, higher or lower depending on what I want to emphasize. Then I play with Kelvin settings, curves, RGB levels, color, saturation and hue in post to create the atmosphere that I remember from the moment. Pretty standard stuff, I suppose.
I can't wait to get back the rolls of RVP 50 I shot at the same time.
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Right, but still, some of the scenes are bound to go beyond the range of the sensor and/or monitor, and the highlights and shadows seem to be pretty well reigned-in. So you don't do any highlight/shadow salvaging at all?
I guess exposure with the kind of meter found in the M8 (and all metered Leica Ms) will be better metered (all things considered) with a wide-angle lens than with a longer focal length. But since the M8 has the latitude (and temperament) of slide film, and given that it sounds like you have disciplined yourself to expose with slide film, I can see how this is more straight-forward to you.
I usually don't have time to meter the scene and reflect; I have to make some pretty quick decisions. This is a reminder (to me) that skills learned in one kind of photography can be very useful for other kinds.
Thanks.
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05-11-2011
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#30
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phound photography
noimmunity is offline
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Quote:
Originally Posted by Gabriel M.A.
So you don't do any highlight/shadow salvaging at all?
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Well yes, I suppose I do, but I don't access it through the shadow/highlight sliders. I getter better overall results by using a combination of curves and especially the relative lightness slider applied to specific colors that can be accessed through Capture One Six's color editor. Since I don't use the M8 for black and white, I haven't yet thought of what I'd do in that case.
Quote:
Originally Posted by Gabriel M.A.
I guess exposure with the kind of meter found in the M8 (and all metered Leica Ms) will be better metered (all things considered) with a wide-angle lens than with a longer focal length.
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Not exactly. Have to be careful with WA on the M8, because the meter is metering for everything the lens sees, including that part outside of the crop. Even on the R4A, metering with a super wide can be tricky.
Quote:
Originally Posted by Gabriel M.A.
I usually don't have time to meter the scene and reflect; I have to make some pretty quick decisions. This is a reminder (to me) that skills learned in one kind of photography can be very useful for other kinds.
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Negative print film gives you extra latitude for quick decisions. Digital (except on the RD-1, M8, and M9) makes bracketing a cinch. Acquired skill that becomes second nature on the other hand is probably the name of the game for really successful photography, and I admire people who cultivate it!
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jon 小強
搬到畫國後免疫系統變得超強,所過的生活宅到不行!
The old adage says: Seeing is believing. To me, that doesn't mean that the world seen is the truth, it means rather that seeing is a field in which the purity of heart is expressed--or not, depending upon whatever happens to cloud that purity at any given moment.
flickr (recently rewarded for not staying 'pro')
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05-11-2011
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#31
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... likes film.
maddoc is offline
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28mm and not "street" ....
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different lenses, but all at 28mm |
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05-11-2011
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#32
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Registered User
dct is offline
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Location: Zurich
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different lenses, but all at 28mm
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05-12-2011
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#33
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Registered User
k.a is offline
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05-12-2011
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#34
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Registered User
ampguy is offline
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Canon 28/2.8 ltm:

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06-06-2011
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#35
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Registered User
Greyscale is offline
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06-06-2011
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#36
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digital to analog convert
christian.rudman is offline
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ferider, loved that little series, the motocycle shot looks dangeroussss! and bob michaels, what else can i say that others havent about your cuba shots, they are gorgeous!
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06-06-2011
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#37
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Registered User
Lss is offline
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I guess Sigma DP1 counts.

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06-07-2011
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#38
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Registered User
nksyoon is offline
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06-07-2011
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#39
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Registered User
nksyoon is offline
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06-07-2011
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#40
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Registered User
meven is offline
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"We can laugh at everything, but not with everybody"
Flickr l Instagram
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06-07-2011
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#41
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Moderator
jsrockit is offline
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Very nice meven...
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07-10-2011
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#42
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Registered User
will-i_am is offline
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01-10-2012
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#43
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passez le fromage
filmfan is offline
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Quote:
Originally Posted by maddoc
28mm and not "street" ....
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Wow! Excellent shot.
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Mamiya 7II + 65mm f/4 N
Olympus OM4 + 28/35/50mm
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01-10-2012
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#44
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Moderator
jsrockit is offline
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Quote:
Originally Posted by Bob Michaels
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Love these two...
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01-10-2012
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#45
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Registered User
seakayaker1 is offline
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Location: Seattle, WA
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Cherry Trees ~ M9 with Voigtlander Ultron ASPH 28mm f1.9

Bike Race ~ M9 with Voigtlander Ultron ASPH 28mm f1.9

Boy and the Black Sun ~ M9 with Voigtlander Ultron ASPH 28mm f1.9

Cherry Trees ~ M9 with Voigtlander Ultron ASPH 28mm f1.9

Skateboard Park ~ M9 with Voigtlander Ultron ASPH 28mm f1.9

Flower Pot ~ M9 with Voigtlander Ultron ASPH 28mm f1.9
I have been quite pleased with the Voigtlander 28/1.9
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Life is Grand! ~~~ Dan ~ M9, M6 TTL & MP ~ Mamiya 7 II ~ GF1 ~ K5IIs
~ Rolleiflex f3.5 with Carl Zeiss 75mm Planar (type 4) ~
The hardest part of starting a new project is starting it ~ Keith Carter
Flickr Sets: http://www.flickr.com/photos/26672618@N03/sets/
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01-08-2013
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#46
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Registered User
seakayaker1 is offline
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. . . . . no posts for a year?
A little love for the 28mm.
MP with Voigtlander 28/1.9
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Life is Grand! ~~~ Dan ~ M9, M6 TTL & MP ~ Mamiya 7 II ~ GF1 ~ K5IIs
~ Rolleiflex f3.5 with Carl Zeiss 75mm Planar (type 4) ~
The hardest part of starting a new project is starting it ~ Keith Carter
Flickr Sets: http://www.flickr.com/photos/26672618@N03/sets/
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01-08-2013
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#47
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Registered User
taskoni is online now
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Beautiful shot above!!!
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01-08-2013
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#48
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Registered User
taskoni is online now
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01-08-2013
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#49
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Registered User
reiki_ is offline
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Really nice work in this thread.
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01-08-2013
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#50
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Registered User
cwalton is offline
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+1!
I've never really seen myself as a "28mm guy" but you all just make it look so easy! I clearly need to get closer. Great thread.
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