The project is not really the one camera one lens. That is the point of departure for minimising the intrusion of gear into your response to what you see and what you photograph. The limitation is liberating and the practice with just one device leads to honing technique and realisation of your photographic vision. Only you can decide what to now do with that camera and lens. Elizabeth Roberts’ latest editorial in the British magazine Black and White is germane: look at your previous work and see what it really is that you look for in taking photographs. I always read her editorials, which she calls letters. They are like Haiku, brief, gentle and deep.