Old 07-31-2018   #1361
avvsergius
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Your summilux is a strange case.
Read :VIEWFINDER
QUARTERLY JOURNAL OF THE LEICA HISTORICAL SOCIETY OF AMERICA

VOLUME 29 NUMBER 3
THIRD QUARTER 1996

Legendary Leica Lenses:
The 35mm f/1.4 Summilux-M
by Dick Gilcreast


All 35 summilux had a certain degree of field curvature. Who needed a flat field used a summmicron.
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Old 07-31-2018   #1362
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No. There are good lens and bad lens. You have one of both. People very qualified tell us 35 summilux was projected with curvature field from 2.8 to 8 f/stop.This for obtain a flat field with 1.4 and 2 f/stop and a beautiful 3dimensional image. The 35 summilux is not easy lens to use. You have to learn to use and you can obtain great results exploiting his features. Also the 50 lux pre ash has no flat field. You need two 2 lens ? No. You have to choose between summicron or a lux depending on your needs.
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Old 07-31-2018   #1363
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@avvsergius yes, the second ones were shot with the summilux.

@Erik, my copies' serial is 25XXXX, which dates it to '72. It was CLAed recently and sold by the Leica Store in Berlin (Meister Camera) as BB condition. I will return it tomorrow but i don't blame this copy. The problem is my expectation I have when I pay this price. I didn't expect it to be so flat and soft at f4 to 5.6 and I didn't even test it on a digital camera.

I am fine with my Jupiter-12 for now, I really like it's rendering, contrast and how it paints OOF areas. Maybe I will look for a modern Biogon-C or a Pre ASPH Summicron sooner or later for my M. The Jupiter belongs on a LTM Body (FED2, Zorki4k or Barnack Leica).
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Old 07-31-2018   #1364
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Quote:
Originally Posted by Erik van Straten View Post
Ah, you think there was no quality control at Leitz?

Qualified people? I am very qualified too. I'm working since 1971 with Leica M.

A threedimensional image with a bad lens ... hmm. I don't get it, I'm sorry.

Erik.
1) Quality control is a bit difficult after 50 years...

2) I quoted a technical article. Tom A and many other qualified people told same things.

3) The 35 lux is a wonderful lens, not a bad lens. In any case from your photos with 35 lux don't emerge any 3dimensional effect. Because, generally, you takes landscape photo in the morning hours. If you don't need 1.4 f/s you can use a summicron. A very perfect lens for this kind of photo.
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Old 07-31-2018   #1365
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Quote:
Originally Posted by Artingei View Post
@avvsergius yes, the second ones were shot with the summilux.
I choose the second ones because at that apertures there is a positive field curvature. The front corners are more in focus than the edges. It's very normal for a 35 lux. It's was projected so. From f8 to upper the depth of field hides this. You can use this at your advantage. Think a photo in internal house. You can have in focus either the center of photo and the edges near to you too.
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Old 07-31-2018   #1366
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The steel rim costs 7000 euro for a simple reason. Because is a very rare version. No one has ever heard about exotics or super lens in the first version of 35 lux. If it’s true what you say it should a very big scoop and you could write a new history about 35 lux. Do you have any evidence for us ?
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Old 07-31-2018   #1367
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Agreed! ^^^ Finally somebody talking sense in these past few posts.

Erik, you need to get over this. It is misleading, totally unproven and actually fabricated by you and you only... It's getting really boring I'm afraid.

Move on old boy...

Simon
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Old 07-31-2018   #1368
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Quote:
Originally Posted by Flat Twin View Post
Agreed! ^^^ Finally somebody talking sense in these past few posts.

Erik, you need to get over this. It is misleading, totally unproven and actually fabricated by you and you only... It's getting really boring I'm afraid.

Move on old boy...

Simon
Simon, it isn't as interesting or value-inducing to think that they changed the formula since the steel rim was more flare prone. Imagining it has special magical pixie dust is a better story.

I've had both, there's not enough difference to make or break a photo (and Erik's photos from both show it). If you really like less contrast and don't mind lots more flare, than throw dough at a steel rim.

If you want want a small lens that flares less, has funky aberrations at f1.4-f2, but sharpens nicely when stopped down, get a version 2 and steer clear of the magic-pixie-dust-hand-assembled-by-virgins-it-will-make-better-photos stories....
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Old 08-01-2018   #1369
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Quote:
Originally Posted by Erik van Straten View Post
The US Patent 2975673 was filed on 26. Aug. 1959 for the Summilux steel rim 35mm f/1.4. There were 7 elements/5 groups made of 5 types high-refractive glass, indexes from 1.70444 to 1.7899. There were two batches, one in 1960 and the other in 1964. The price of the lens was very high and therefore Leitz made a version wich cheaper glasses (serial nr. started at 222XXXX) that was the reason for the bad reputation the Summilux had and still has, "glow" and all that. Fortunately the steel rim never glows.

The lens is not really rare, about 7.000 pieces were made. I don't think people pay this amount of money just because of this kind of rarity.

Erik.
The patent isn't an evidence. Based on your thesis so we should have a stack of patents...One for model of 1964, one for version II, one for google, another one for Germany version .....
In any case if your 35 steel rim doesn't glow is a bad version of this lens.
Who should buy a 35 summilux without glow and other aberrations ? Aberrations (calculated) are the heart of a summilux 35. If you see your portraits you can note that they missing of characteristic of lens. They are completely flat.
The simple reason of cost is because is very rare and it is a very nice object too. And yes.... there are many people pay this amount of money for this kind of things.
Why the people should buy for a lot of money a leica black MP original or a black M3 ? Because they have thaumaturgic powers ?
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Old 08-01-2018   #1370
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Quote:
Originally Posted by Erik van Straten View Post
People who buy a Summilux 35 because of the abberations is throwing money away. Buy a Jupiter 12. Discussion closed from my side.


Erik.

Discussion closed from your side Erik?

That’s great news and not a moment too soon. Well done!

S.
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Old 08-01-2018   #1371
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I have a 216XXXX non steel rim, non goggled, black anodised version.


It could be the first of the rubbish, the last of the best or a combination of both!
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Old 08-01-2018   #1372
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I don’t know if Erik's theory of Summilux 35 variants is correct or not, but his photos are impeccable.
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Old 08-01-2018   #1373
giulio stucchi
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234xxx here (around 1969), infinity lock.
never had or use a hood with it.

perfect lens? no
mint condition? no
do I enjoy using it? yes but not as an everyday lens (this is a job for my summaron)

a pic from a couple of years ago, guess meter, around 800 asa and the only time I use the self timer on my 1963's M2

a bit of fun on a bavarian road trip:



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(still here but shooting very little lately)
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Old 08-01-2018   #1374
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Erik, best I can do at short notice...
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Old 08-01-2018   #1375
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Erik, yes, original hood, screw apart seriesVII, no engravings.
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Old 08-02-2018   #1376
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Quote:
Originally Posted by Erik van Straten View Post
People who buy a Summilux 35 because of the abberations are throwing money away. Buy a Jupiter 12. Discussion closed from my side.


Erik.
The discussion is closed because you have no technical arguments. Many people has to justify his shopping with spouses, fiancé, parents or himself. But please, it should be better invent something different from exotics lens never documented. This is not acceptable for a reputable community like rangefinderforum.

I like to finish this discussion with an extract taken from first message where this (beautiful ) thread is started:...."Some respected RFF members do all what they can to discredit this lens in favor of the newer Zeiss or ASPH offerings. They say it's not sharp, shows light falloff and it flares. My personal thinking is those are part of its qualities and undeniable charm. One doesn't shoot the 35 summilux pre-asph for sharpness per se. One shoots it for its overall very unique rendition."....

It's all true. This is the reason why this lens is so loved. Who loves poetic aspect of photography can't not love this incredible gem. And the most photos of this thread are the better evidence.
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Old 08-02-2018   #1377
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Quote:
Originally Posted by Erik van Straten View Post
No, I think it was f/5.6 or f/4.

This shot is now "In Explore" on Flickr, believe it or not.

Erik.
Yeah, the in explore elections are hard to fathom, certainly not the shots I have viewed as my best...

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Old 08-02-2018   #1378
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I have never bothered with the different variations of this lens. I have one, made in Canada, and it does what I want it to. I'm happy with the results, either wet printed in the darkroom or scanned and used in our newspapers. But that applies to any of my lenses. If it does what I want, I use it and keep it. Otherwise, it gets sold or traded.
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Old 08-02-2018   #1379
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I keep learning new things about this pre 1.4 35mm lens I've owned for several years now..
Latest cool function...video by candle light..on m4/3..wide open..simply wonderful! Similar to Noctilux..with better dof..works as a 70mm on that format..
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Old 08-02-2018   #1380
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Originally Posted by Emile de Leon View Post
I keep learning new things about this pre 1.4 35mm lens I've owned for several years now..
Latest cool function...video by candle light..on m4/3..wide open..simply wonderful! Similar to Noctilux..with better dof..works as a 70mm on that format..
No doubt. The 35 lux pre asph is like a little noctilux f1. It's his little brother. In fact Leica told that 35 lux was a "giant of light". Ah, a strange thing....also the noctilux f1 had a severe (less or more) curvature field. I wonder why ? Probably Leica didn't use special lens :-)
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Old 08-02-2018   #1381
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Doodling

Whatever the differences are in the variations of this lens, I love my late german version! Its like two lenses in one, a lot like my 80 Lux R.

Time for more pics, instead of talk in this thread! A portrait of myself, doing what I love, making surfboards...

M6, 35 lux (@f2 or f2.8), Portra 400
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Old 08-11-2018   #1382
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M2 with 35 Lux Pre Tri-x @ 1600 Xtol
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Old 08-11-2018   #1383
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another one with the 35 lux pre asph
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Old 08-11-2018   #1384
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one more with lux pre asph
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Old 08-28-2018   #1385
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m2, summilux 35 pre-asph v2, infinity lock, t-max 400, perceptol



Giulio
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Old 08-28-2018   #1386
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m2, summilux 35 pre-asph v2, infinity lock, t-max 400, perceptol





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Old 09-20-2018   #1387
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BP M4, 35mm Summilux pre-ASPH 2nd (German-made), Tri-X, Microphen stock




by Gabor Samjeske, on Flickr
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Old 11-05-2018   #1388
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Old 11-30-2018   #1389
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Thumbs up

Thanks for all the comments and photos everyone.

I have been a lurker here and am slowly moving in the direction of acquiring an early copy of the version II goggled 35mm 1.4 Summilux. The number is 2166865 and it arrived in my hands today.

The goggled rangefinder focus looks at least close to accurate at a meter, but somewhat off at infinity. It will take some time to shoot a roll of slide film and get it developed to see how accurate the focus is.

I sort of love and am scared of the custom side of these lenses where different copies have different properties!
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Old 12-01-2018   #1390
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Erik and Helen, your photos are so wonderful, and have been key in drawing me to the summilux 35mm pre. Here is a shot of my very early version II:


But when the rangefinder images on my normally accurate M3 line up for infinity, the lens focus reads 30 feet. And with the rangefinder images at 1 meter, the lens focus is .9 meter.

Any recommendations on where to send it in the US where the turnaround is not too long?

Last edited by John inglis : 12-01-2018 at 12:11. Reason: misspelling
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Old 12-01-2018   #1391
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Thank you so much Erik! I will do this.
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Old 03-14-2019   #1392
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This is my first post on this resource and the first frame on my wonderful lens Summilux 35 pre-asph (II)
Tri-X ISO400, Ilfosol3, 1+14, 20C, 12min
F1,4/60

F2.0/60
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Old 04-18-2019   #1393
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with M9.

Maybe not the sharpest and it doesn‘t give much 3D feeling but the lens helps making the pictures look dreamy wide open and friendly when stopped down.
Actually I find the sharpness perfect wide open, it gives its character.
Even if I could wish a bit more crisp above F2.8 like a Summicron.
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Old 06-13-2019   #1394
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201905-02-M4BP-ACROS100-400-35LUX-35CV-019copy by Gabor Samjeske, on Flickr
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Old 06-22-2019   #1395
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Quote:
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with M9.

Maybe not the sharpest and it doesn‘t give much 3D feeling but the lens helps making the pictures look dreamy wide open and friendly when stopped down.
Actually I find the sharpness perfect wide open, it gives its character.
Even if I could wish a bit more crisp above F2.8 like a Summicron.
A very useful summary for me, an M-E owner. Thanks. I was looking around for a decent price for this lens (no luck), but having seen most of the images from this thread, I think I'm happy enough with my Summicron iv 35mm without having to get the pre ASPH Summilux.
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Old 06-22-2019   #1396
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Beautiful picture.
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Old 09-28-2019   #1397
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Just found this thread and look forward to reading all of it. In the interim, here's one from my Canadian serial #280xxxx on M240

This is about f4 or 5.6 were it sharpens up nicely. 'Love to shoot it wide open for a dreamier look.

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Old 10-07-2019   #1398
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Au Gaou
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35 Summilux v2 infinity lock sn 2167089 on M9-P
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Old 10-07-2019   #1399
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Au Gaou
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35 Summilux v2 inf lock on M9-P
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Old 10-07-2019   #1400
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dans Paris
by JM__, on Flickr

35 Summilux v2 - M2 - Provia 100


réfléchi
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35 Summilux v2 - M2 - Acros 100
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