Dan1984
Newbie
Hi everyone,
I have posted in the Epsom RD1 forum as I am considering buying one. I currently have a canon 450d SLR. I really want a rangefinder and have been looking at the RD1 because I've never shot film.
I love the bessa r3a but I am concerned that I am going to spend a fortune on film and I've not much of an idea about processing and developing it myself.
Do you guys all develop and process your own film?
I have posted in the Epsom RD1 forum as I am considering buying one. I currently have a canon 450d SLR. I really want a rangefinder and have been looking at the RD1 because I've never shot film.
I love the bessa r3a but I am concerned that I am going to spend a fortune on film and I've not much of an idea about processing and developing it myself.
Do you guys all develop and process your own film?
ruby.monkey
Mentor
Black-and-white, yes; it's pretty straightforward and requires only a small investment in terms of equipment. Having said that I personally would go digital if most of my shooting was in colour.
Aristophanes
Well-known
No. I send it out. Scanning is an enormous time investment and the learning curve and space requirements of a wet darkroom for making prints is simply not possible for many.
Film rangefinders are cheaper... it may be more sensible to try a cheap film rangefinder to make sure you actually like RF cameras.
Jockos
Well-known
Yeah, why not get something like a cheap Canon Canonet before committing?
BW film and chemicals are cheap, color a bit more expensive, both are equally easy to develop at home (albeit a bit differently), no dark room required.
Scanning on the other hand is about as fun as eternally drowning in river Styx.
If you can make/borrow a darkroom however, the benefits of film will be much clearer. Nothing beats handing you mom a nice fiber print of her grandson.
Mothers love that ****!
BW film and chemicals are cheap, color a bit more expensive, both are equally easy to develop at home (albeit a bit differently), no dark room required.
Scanning on the other hand is about as fun as eternally drowning in river Styx.
If you can make/borrow a darkroom however, the benefits of film will be much clearer. Nothing beats handing you mom a nice fiber print of her grandson.
Mothers love that ****!
msbarnes
Well-known
Yeah, you can get a decent film rangefinder for <$50 (e.g. canonet, konica auto s2, etc.) to see if it suits your fancy.
Austerby
Well-known
If film them factor in the cost of the home developing and scanning, plus the time to do these things. It'll be a steeper learning curve, certainly, but potentially a more involving and rewarding process.
Basic home developing kits are not too expensive - eg everything you need for £50 here http://www.ag-photographic.co.uk/paterson-film-processing-kit-2562-p.asp
A home scanner such as an Epson V500 is less than £200.
Basic home developing kits are not too expensive - eg everything you need for £50 here http://www.ag-photographic.co.uk/paterson-film-processing-kit-2562-p.asp
A home scanner such as an Epson V500 is less than £200.
back alley
IMAGES
the world is moving rapidly towards digital...what is the attraction of film for you?
kshapero
South Florida Man
When I jumped back into using rangefinders in 2006 after a 20 year absence, I tried a lot of "cheapies". Then I tried a Voigtlander Bessa R3A with 40/1.4 and I was hooked. I would start with this or a R-D1 if digital is your thing.
Range-rover
Mentor
I just got back into rangefinders myself, I picked up a Nikon S2 with a 35mm f2.5 lens,
I've been a Leica user for years, and have this now and I really like it, it uses film of
course, but later I would love to try a digital rangefinder. and the film issue it's like
records and turntables there be around for the specialized user who wants them.
if you can get digital try it.
Range
I've been a Leica user for years, and have this now and I really like it, it uses film of
course, but later I would love to try a digital rangefinder. and the film issue it's like
records and turntables there be around for the specialized user who wants them.
if you can get digital try it.
Range
ped
Small brown dog
Get the R-D1, try it, see if RF is for you.
THEN
Buy a film RF and try it - see if film is for you.
Two seperate areas that need investigating as such, I think.
ped
THEN
Buy a film RF and try it - see if film is for you.
Two seperate areas that need investigating as such, I think.
ped
Gabriel M.A.
My Red Dot Glows For You
If you can afford it, try the R-D1. That way you can shoot without worrying about (film) development costs, you can learn the differences between SLR and RF -styles of shooting.
Then move to film. I think doing all of it may be too overwhelming, unless you're not the kind that freaks out very easily when your perception of things is challenged by facts.
Then move to film. I think doing all of it may be too overwhelming, unless you're not the kind that freaks out very easily when your perception of things is challenged by facts.
Lord Nikon
Shoots Leica
What facts?
The fact that the RD-1 sucks, and that you could buy an older Japanese RF with a lens for 1/6 the price of the RD-1?
If there are other facts please LMK.
sevo
Fokutorendaburando
Well, the difference between a R-D1 and a affordable film rangefinder would pay for several hundred rolls of film, even more so if we take into consideration that M-mount lenses that are normal to wide relative to the APS-size R-D1 (and perform well on its rather telecentric sensor) are far from cheap.
If cost is an issue, go film, by all means - by the time you have exposed 6000+ frames with something meaningful, you'll have realized that travel or other arrangement cost for photo ops usually is the most expensive factor in photography, and exceeds the price of any camera system, whether digital or film...
The R-D1 has the advantage of faster turnaround, which can help when learning. But it hardly is a budget solution.
back alley
IMAGES
that's pretty rude talk even for a jersey boy!
i've seen your stuff and you're a good shooter so maybe take another look at what the rd1 can produce before shooting off your trap about it sucking.
kshapero
South Florida Man
Moderate if necessary.
BobYIL
Well-known
Dan, you have a DSLR so you know what digital is.
How about buying that R2A with a 35/2.5 Skopar to start with a few rolls of film. Let a lab develop and scan them for you at the beginning. This will give you an idea of whether RF is for you or not...
If you liked it then:
- Sell your Canon and R2A to buy an R-D1, use your Skopar.. (Ignorable or no loss with the R3A)
- Sell your Canon only to buy an R-D1 to share the Skopar with the R2A, to reach the nirvana of RF by having two worlds :angel:
(In the second option, get yourself a developing kit and a scanner on the way to Heaven..)
How about buying that R2A with a 35/2.5 Skopar to start with a few rolls of film. Let a lab develop and scan them for you at the beginning. This will give you an idea of whether RF is for you or not...
If you liked it then:
- Sell your Canon and R2A to buy an R-D1, use your Skopar.. (Ignorable or no loss with the R3A)
- Sell your Canon only to buy an R-D1 to share the Skopar with the R2A, to reach the nirvana of RF by having two worlds :angel:
(In the second option, get yourself a developing kit and a scanner on the way to Heaven..)
kshapero
South Florida Man
An R3A is not designed for a 35mm lens. 40mm is the limit and even that IMHO is pushing it especially if you are bespectacled.
BobYIL
Well-known
Wooops! Thanks Akiva.. (Edited..)
Lord Nikon
Shoots Leica
Thanks for the compliment on my photos.
Maybe a bit harsh, but I am still curious what fact I missed.
A good photographer can take a good pic with any camera. For sure, certain families of camera are better suited to certain applications than others but I do agree 100% that one could take an excellent picture with an RD-1, just as people have taken excellent pictures with pretty much every other camera in history.
I just cant see why someone would buy an RD-1 today. Is there something that the RD-1 does that newer cameras do not? The only thing I can see is that the RD-1 has a real rangefinder, but is that worth the baggage in the sensor?
What does the $1000-1200 used selling price of the RD-1 buy you with any other digital camera? A lot more than 6mp. A lot more than ISO-400. More dynamic range. Less expensive *and* frequently sharper wide angle lenses. A current warranty. Lack of corner-color shift with short focal length lenses.
The RD-1 leaves a lot to be desired when so many newer cameras outperform it at the same pricepoint or even a lower pricepoint. So the newer cameras may not have a *real* rangefinder and may not be native M-mount, but with electronic viewfinder windows and M-mount-adapters who cares? The size and feel of the M4/3 and fuji cameras is very rangefinderesque, so why the RD-1?