leica glow?

leica glow?

  • heck yeah

    Votes: 11 24.4%
  • omg, leica hasn't had any glow in decades

    Votes: 17 37.8%
  • i see what you did there

    Votes: 17 37.8%

  • Total voters
    45
2573txc.jpg
 
. . . . . the way I first heard that expression was that "horses sweat, men perspire, and women glow!"

the quote is attributed to orson welles...

...Orson Welles, about his wife Rita Hayworth, on the set of Lady from Shanghai. The director of photography told him Rita was sweating and it was visible on the film. Orson said sternly, "Horses sweat. Men perspire. Miss Hayworth glows."
 
the quote is attributed to orson welles...

...Orson Welles, about his wife Rita Hayworth, on the set of Lady from Shanghai. The director of photography told him Rita was sweating and it was visible on the film. Orson said sternly, "Horses sweat. Men perspire. Miss Hayworth glows."

I'm pretty sure Oscar Wilde would have something to say about that
 
http://www.rangefinderforum.com/forums/showthread.php?t=101536

http://www.rangefinderforum.com/forums/showthread.php?t=101536

The older Leica lenses have glow.It ain't simply out of focus, blur, the shakes or taken during shell fire or 'quakes! It is often referred to, in the past, esp. in German magazines/books as "plastik/plastic".
My collapsible 50mm Summicron, 135mm Hektor has it in boatloads.
My Pentax Super Takumar have none of these wonders.
 
Hi,

Didn't the Leica glow stories start when someone wondered about a Leitz slide projector lens and had it adapted to fit his camera? It was a 125mm HeKtor . The story is somewhere in Theo Scheerer's book.

Regards, David
 
I think it's a combination of the older lenses not being coated, and is particularly noticeable with the faster lenses shot close to wide open (such as the 50/2 Summar, the 50/1.5 Xenon and the 73/1.9 Hektor). The shots are 'sharp' but a different kind of sharpness, if that makes sense. The thing that I really like is when shooting colour film -- along an edge in which there are two colours on either side of that edge, they almost 'bleed' onto one another. You can kinda see it in that shot of my wife from a few years back (this is a scan from a print, BTW). Think I shot that one at about f/2. The uncoated elements also contribute to the colour being flatter (in terms of contrast and saturation), but I actually quite like that. Interesting that simply shooting a newer lens wide open doesn't deliver the same results -- maybe it's the quality of the glass, the coatings etc?

If I can find any more 'glowy' shots (or at least ones that I think are 'glowy'!), I'll upload them.
 
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