color film w/ B&W processing?

gblader

Member
Local time
10:30 AM
Joined
Jan 16, 2013
Messages
39
A buddy of mine said there's no need to buy B&W film - as it is expensive here in Korea, especially if you want one that will do C-41, but what do you guys think? Do you lose a lot of quality?
 
Haven't done that, but I recently processed a C-41 b/w film (Ilford XP2) in Xtol and got some nice results. So I'm guessing it can be done with color negative film as well...
 
There's a thread in the M/F or TLR forum about this if I remember right.

Some films handle it VERY well.

It might make sense depending on where you live - in my case rolls of iso400 color film are a shade over half the price of a roll of tri-x and around 1/3rd the price of ilford or foma b/w films.

but traditional black and white films have the edge in dynamic range
 
Looked at them and looks like there is definite loss in Dynamic Range - kind of defeats one of the main purposes of shooting film! also the skies look really grey, dark, and grainy... But I guess no one else practices this?
 
Have you looked into buying film in bulk from overseas? If you can manage to get discounts for ordering in large amounts along with processing in-house I'm sure you'll be able to save a bit of money.
 
Thanks for the suggestions guys and those pics are def what I'm looking for. Unfortunately being inexperienced I bought 8 yr old Ilford film! Should I push it in development as I am going to do it myself? This film thig is pretty interesting stuff
 
If it was not stored frozen or refrigerated.... that may be a good Idea...
I think, from what I read in other topic on this... that a one stop PULL not push may help... IE: 400 > 200, 100 > 50, as film gets older w/o proper storage.... it losses film speed. So you may to need overexpose to get good results..

If you have a few rolls, why not make one a test roll and shoot frames from ISO 25 to ISO 800 with a few blanks in between to help keep them straight.
And develop as normal. (you don't want 2 things that have changed... (ISO and Development)... then you don't know which change was responsible for the good frame)
Pick the frame/ISO that looks the best.

How it was stored in the 8 years will have a major effect on how much fog and how much change in the ISO is effected.
 
If it was not stored frozen or refrigerated.... that may be a good Idea...
I think, from what I read in other topic on this... that a one stop PULL not push may help... IE: 400 > 200, 100 > 50, as film gets older w/o proper storage.... it losses film speed. So you may to need overexpose to get good results..

If you have a few rolls, why not make one a test roll and shoot frames from ISO 25 to ISO 800 with a few blanks in between to help keep them straight.
And develop as normal. (you don't want 2 things that have changed... (ISO and Development)... then you don't know which change was responsible for the good frame)
Pick the frame/ISO that looks the best.

How it was stored in the 8 years will have a major effect on how much fog and how much change in the ISO is effected.

Genius! I will def do that with my next roll!
 
Back
Top