Vince Lupo
Nobody's Mentor
Erik van Straten
Mentor
gelatin silver print (summar 50mm f2) leica lll
https://www.flickr.com/photos/erik_v...posted-public/(to see the picture sharp)
Erik.
https://www.flickr.com/photos/erik_v...posted-public/(to see the picture sharp)
Erik.
dourbalistar
Buy more film
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2022.07.14 Roll #314-07320-positive.jpg by dourbalistar, on Flickr
2022.07.14 Roll #314-07320-positive.jpg by dourbalistar, on Flickr
yossi
Well-known
Leica M6, Summar 5cm. Ilford Pan400 in R09. Hawker @Tekka Market, SG.
Erik van Straten
Mentor
gelatin silver print (hektor 50mm f2.5) leica ll
https://www.flickr.com/photos/erik_v...72157/sizes/l/ (to see the picture sharp)
Erik.
https://www.flickr.com/photos/erik_v...72157/sizes/l/ (to see the picture sharp)
Erik.
p.giannakis
Pan Giannakis
This is brilliant work Erik. Reminds me of the work Constantine Manos did in Crete.
SimonPJ
Well-known
Another beautifully restrained indoor portrait, Erik! I always admire your fidelity to the true dimness of the original scene in your available light portraits - something which is an increasing rarity in a world of photographic images which crank up the digital gain for a kind of inverse nuit américaine.
I wondered whether you have any advice about how to keep close to the original lighting levels, in exposing or in developing and printing?
AAlfano
Well-known
Pentax K1000, 50mm f/2 SMC Pentax-M lens, Fuji Superia 400. Almost certainly taken at f/2.8 and 1/60th.
Erik van Straten
Mentor
I use a relatively fast lens - in this case a Summar - and a fast film, Tmax400, on a Leica III. In situations like this I use full aperture, f2 at 1/30 sec. I develop the film in Perceptol, 10 minutes 1+2 (one part developer, two parts water) at 20 degrees C. The print iis made on Ilford MG FB classic glossy with a Leitz Focomat IIc (split grade printing using filter 00 for the first exposure and filter 5 for the second exposure). Paper developer is Eukobrom. I dry the print on a very old German print dryer (temperature digitally controlled) and when dry it is flattened on a Seal Compress 110 at its lowest temperature. (Too hot will damage the surface of the paper.) Then the print is scanned on an Epson V600 and is edited with Photoshop Elements 2.
Thats all.
Erik.
Erik van Straten
Mentor
gelatin silver print (planar 45mm f2) contax g1
All sizes | 154 Germany 496-1995 | Flickr (to see the picture sharp)
Erik.
All sizes | 154 Germany 496-1995 | Flickr (to see the picture sharp)
Erik.
Out to Lunch
Menteur
Moldova. Canon 5DMII - L 2.8/24-70 @70mm.
Erik van Straten
Mentor
gelatin silver print (heliar classic 50mm f1.5) leica mp
https://www.flickr.com/photos/erik_v...54516/sizes/l/ (to see the picture sharp)
Erik.
https://www.flickr.com/photos/erik_v...54516/sizes/l/ (to see the picture sharp)
Erik.
Erik van Straten
Mentor
gelatin silver print (nikkor 50mm f1.4) nikon s2
All sizes | 140 Amsterdam 2022-1139 | Flickr - Photo Sharing! (to see the picture sharp)
Erik.
All sizes | 140 Amsterdam 2022-1139 | Flickr - Photo Sharing! (to see the picture sharp)
Erik.
AAlfano
Well-known
Moldova. Canon 5DMII - L 2.8/24-70 @70mm.
How did you get a roll of film into a 5DMII?
Erik van Straten
Mentor
gelatin silver print (color skopar 50mm f2.5) leica lll
https://www.flickr.com/photos/erik_v...92153/sizes/l/ (to see the picture sharp)
Erik.
https://www.flickr.com/photos/erik_v...92153/sizes/l/ (to see the picture sharp)
Erik.
Out to Lunch
Menteur
I haven't tried and I suggest you don't try it either. The thing is after you post an image, in this case, a digital image in an analog thread -mea culpa, mea maxima culpa, you can't delete it. Cheers, OtL
p.giannakis
Pan Giannakis
Canon EOS-1N RS - EF50f/1.8
Kodak Tmax400 in HC110
Kodak Tmax400 in HC110
Erik van Straten
Mentor
Erik van Straten
Mentor
Out to Lunch
Menteur
Ah, I was not aware. How?