raid
Dad Photographer
You have several special lenses, Erik.
Maybe you should give us here some overview of each of your special lenses one day.
Maybe you should give us here some overview of each of your special lenses one day.
Erik van Straten
Mentor
raid
Dad Photographer
There is such a lens for sale on ebay for 30k EURO.
Erik van Straten
Mentor
I'll look, thanks!There is such a lens for sale on ebay for 30k EURO.
Erik van Straten
Mentor
There is such a lens for sale on ebay for 30k EURO.
![www.ebay.com](https://i.ebayimg.com/images/g/xmIAAOSwx9Fls4fZ/s-l500.jpg)
[MINT] Leica Summilux-M 50mm f/1.4 Made in Germany Black Paint w/Caps From Japan | eBay
Find many great new & used options and get the best deals for [MINT] Leica Summilux-M 50mm f/1.4 Made in Germany Black Paint w/Caps From Japan at the best online prices at eBay! Free shipping for many products!
www.ebay.com
No, that is another lens, but looks like it. It's the number that is important, 1703XXX, 1959. Balsam separation was often a problem in the later type. I myself have one with such a problem, 18XXXXX.
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Erik van Straten
Mentor
Ororaro
Well-known
Balsam separation is a problem and highly possible on all V2 summiluxes.
raid
Dad Photographer
Do you mean the 35mm 1.4 Lux v2?Balsam separation is a problem and highly possible on all V2 summiluxes.
raid
Dad Photographer
I get it now. It is the early number. The ebay lens has number 2 xxx xxx![]()
[MINT] Leica Summilux-M 50mm f/1.4 Made in Germany Black Paint w/Caps From Japan | eBay
Find many great new & used options and get the best deals for [MINT] Leica Summilux-M 50mm f/1.4 Made in Germany Black Paint w/Caps From Japan at the best online prices at eBay! Free shipping for many products!www.ebay.com
No, that is another lens, but looks like it. It's the number that is important, 1703XXX, 1959. Balsam separation was often a problem in the later type. I myself have one with such a problem, 18XXXXX.
Erik van Straten
Mentor
Yes, the early number. Most likely the design of the early lens is not by Leitz, but by Taylor, Taylor & Hobson. The collaboration between the two firms already existed in the 1920s. Zeiss was already working on the Sonnar at the time and Leitz wanted a faster lens for the Leica. That's why Leitz sought cooperation with the English firm.
raid
Dad Photographer
It must be a rare lens then.
Ororaro
Well-known
Bill Blackwell
Leica M Shooter
boojum
Mentor
There are a lot of good lenses out there. Politics are not part of my thoughts in shopping. I have a few FSU Sonnars, two KMZ J8's, one a dream lens made in '57. The other is a '51 I have not used much because the iris ring was frozen and sticky. It was just cold so I will slap it on the M9 and see how it does. And I have some other very, very nice 50's. They are retro's or retro remakes like the Skyllaney Bertele Sonnar, a honey.. I like the Sonnars for their IQ and color. That has saved me money because I can satisfy my lens lust by getting the 50's from the 50's and bypass Leitz. The same lenses now being snapped up by the cinema folks. The old '42 CZJ 5cm f/1.5 is as sweet, soft and accurate as you could wish for and a CV 35mm f/1.7 that is a sleeper was sent my way. Nice lenses. And from a fellow who knows lenses so I started out of the gate in good shape with these lenses.
I am at a point where it is ability not lenses that I need. And now that sunshine and warm weather have finally arrived in the Pacific Northwest, at least for today, I can get out and try that old '51 KMZ J8. Just to see how it works. I do not need to shop the new releases of old lenses which I am grateful for.
I am at a point where it is ability not lenses that I need. And now that sunshine and warm weather have finally arrived in the Pacific Northwest, at least for today, I can get out and try that old '51 KMZ J8. Just to see how it works. I do not need to shop the new releases of old lenses which I am grateful for.
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