a Moskva 5 review

theburk

Member
Local time
4:18 PM
Joined
Jul 4, 2007
Messages
18
ok im new but i felt it would be good to contribute a a review. well recently i went to france, and i bought a moskva 5 about 2 weeks before going, because i wanted a 6 x 9 range finder, as far as 6x9 goes i have an old ziess maximar with a 6x9 back, but it was too ardous to switch backs all the time, so i gave in and because i couldnt afford a ikonta c i got a moskva, i was apprehensive, i got it off ebay but the pictures seemed good, and id read decent things, but of course it all depends on weather you get a good one or not. fortunately i got a good one, it smelled of boot polish and the leatherette got a little tattered in my backpack (i know i know horrible, but it will be getting reapoulstered soon) but all in all its a solidly built camera, it had some filler putty and bubbling on the plastic part of the foreward rangefinder assembly, and a screw replacing the button on the 6x9 frame counter window, and it also smelled of boot polish, all of which frightend me at first. but i found the range finder was very clear, not bright enough but clear, and seemed accurate (i shot at a high f-stop just to be safe but because im used to large format i shoot as high as is reasonably possible) but after developing my pictures the negatives look great, havent printed them yet, but the focus is sharp, a decent problem was the viewfinder, as a good portion of the viewfinder was blocked by the foreward part of the rangefinder. it wasnt hard to work around though. the biggest problem was definately the film advance, the winder has double exposure lock, which locked the film advance after only advancing a full 6x6 frame, not 6x9 i havent figured out how to resolve this but you can force it onward to the next 6x9 picture fairly easily. the second largest problem was fairly common from what i understand, light leaks, it appears they mostly came from the frame window, so basicly if i kept it closed i wouldnt have had trouble. aside from the back having a little trouble fully locking in, but that was easily remedied. i do reccomend it as a fairly cheap alternative to the ikonta ($50-60 usd for a good moskva vs $400-500 usd for a ikonta c)
 
thanks for the review, i've thought about picking one of these up for a while but never have gotten around to it. 6x9 negs would be nice to have.
 
I took one of these to Grand Canyon a few weeks ago. Previous to this trip, I'd only put one roll through it. No troubles up to that point and got some great results.

I quickly discovered that the firing and folding mechanisms on mine were fine examples of Soviet workmanship. In other words, they sucked. If you folded the camera in just the right way, the firing pin would fall out of the plate. Eventually I figured out how to get it back in, but several times I had to trip the shutter manually (and pray I didn't get my finger in the frame).

It's a good camera, overall. Just be careful of the folding mechanism.
 
I bought a Mossie 5 from a member here.

It's great, focussing, &c. &.c

But it has a light leak either through or around the rear window.

A shame as 6x9 transparencies are a joy to behold on a lighttable.
 
My Moskva (bought from a RFF member) is beautiful--what a large negative from such a small camera. I need to adjust the vertical alignment of the RF, but that's just a detail. I do wish it had a better viewfinder, but that's just the limit of 1930's design. It's great on a tripod. I have no troubles with film advance or light leaks. Luckily I found a good adapter ring, lens shade and filters. I'm going to use it for contact printing onto Ilfobrom.
 
Thanks for the review, sounds very similar to mine. I now have to cover the film counter windows with black tape, whether they are closed or not. I think that one does not seal properly. I shot some test film which was promising, now waiting for a good break in the weather to try some. I should say another good break, I tried a week or so ago but committed a major blunder with my film. I popped a film in and then peeled back the tape over the window, then wound on, and on, until I realised that the slide cover was in place. I quickly opened the window slider and almost immediately found a number "1". I took my time to compose an interesting and detailed shot and then wound the film on and found that it ended! I was developing some of the same film (Acros) from my C300 and had a chance to look at the discarded paper backing. There, right at the end is a number "1" in exactly the right position for the 6x9 window. At this point the film has finished anyway so I had wound the full film past.
All these thing make us more experienced and stronger, they say.
 
fidget said:
Thanks for the review, sounds very similar to mine. I now have to cover the film counter windows with black tape, whether they are closed or not. I think that one does not seal properly. I shot some test film which was promising, now waiting for a good break in the weather to try some. I should say another good break, I tried a week or so ago but committed a major blunder with my film. I popped a film in and then peeled back the tape over the window, then wound on, and on, until I realised that the slide cover was in place. I quickly opened the window slider and almost immediately found a number "1". I took my time to compose an interesting and detailed shot and then wound the film on and found that it ended! I was developing some of the same film (Acros) from my C300 and had a chance to look at the discarded paper backing. There, right at the end is a number "1" in exactly the right position for the 6x9 window. At this point the film has finished anyway so I had wound the full film past.
All these thing make us more experienced and stronger, they say.

heh in france i spent 6 or 7 rolls of film winding them all the way through because i kept forgetting to feed it under the film counter mechanism. pissed me off quite a bit because i wound out running out of film and having to use a small crappy digital as a backup (i wound up bouncing the damn flash off tourist brochures and draining the batteries taking several shots to balance the flash properly)
 
Thanks for the review

Thanks for the review

I ordered a Moskva 5 off Ebay. I am still waiting on it. The pictures of it look good but I know these can be iffy. I hope I have a similar experience with things going well. I can't wait to get my hands on it and check the shutter, focus, aperture etc. I really hope it turns out to be a really good camera. This is going to be my first Medium Format camera. I am glad to hear you had good results.

Ok to everyone that mentioned light leaks. Those doors slide closed but if you want more protection than that you can cut a piece of old 120 paper and use tape to create a little flap to go over the windows. That will help block out light if you are having leak issues.

Also to the OP you should be able to turn that dial on the right hand side and select 6 X 9 format. There are about 3 or 4 switches dials or selectors of some kind that need to be switched on these to go between 6 X 6 and 6 X 9. One controls the viewfinder, one the lock on the sliders, one the advance lock apparently though my understanding is that the film advance is free moving and you have to watch the numbers to know when you reach the next frame instead of it having a stoping mechanism of some kind.
 
A further trial film came out well. No more light leaks with the tape in use, although I was also using slower film this time (FP4+). I mounted it on a tripod, but found that the mount on the body is not suitable as it's so narrow. It had to have a 1/4 inch adapter fitted so I used the mount on the door. I think that this was more suitable as the major source of movement must be in the shutter assy, particularly when on the high speed as this packs quite some punch. Could be a spring off a rat trap? Some good detail in the negs, in my next film I will try some hand held shots at the fastest speed, imaging some of my normal scenes to allow some (not-so-important) comparisons with my other MF gear (you can guess, of course, that the image detail seen already is way beyond the abilities of 35mm, so much area!)

And....welcome to RFF, fezzik
 
I'm mystified by theburk's comment about difficulty in winding to the next 6x9 frame, since as far as I know there's no sort of wind stop mechanism in the camera -- you could wind a roll straight through. Moving the thumb dial between 6x6 and 6x9 framing shouldn't make a difference; likewise, the switch under the pressure plate that controls which red window can open isn't coupled to anything.
 
theburk said:
ok im new but i felt it would be good to contribute a a review. well recently i went to france, and i bought a moskva 5 about 2 weeks before going, because i wanted a 6 x 9 range finder, as far as 6x9 goes i have an old ziess maximar with a 6x9 back, but it was too ardous to switch backs all the time, so i gave in and because i couldnt afford a ikonta c i got a moskva, i was apprehensive, i got it off ebay but the pictures seemed good, and id read decent things, but of course it all depends on weather you get a good one or not. fortunately i got a good one, it smelled of boot polish and the leatherette got a little tattered in my backpack (i know i know horrible, but it will be getting reapoulstered soon) but all in all its a solidly built camera, it had some filler putty and bubbling on the plastic part of the foreward rangefinder assembly, and a screw replacing the button on the 6x9 frame counter window, and it also smelled of boot polish, all of which frightend me at first. but i found the range finder was very clear, not bright enough but clear, and seemed accurate (i shot at a high f-stop just to be safe but because im used to large format i shoot as high as is reasonably possible) but after developing my pictures the negatives look great, havent printed them yet, but the focus is sharp, a decent problem was the viewfinder, as a good portion of the viewfinder was blocked by the foreward part of the rangefinder. it wasnt hard to work around though. the biggest problem was definately the film advance, the winder has double exposure lock, which locked the film advance after only advancing a full 6x6 frame, not 6x9 i havent figured out how to resolve this but you can force it onward to the next 6x9 picture fairly easily. the second largest problem was fairly common from what i understand, light leaks, it appears they mostly came from the frame window, so basicly if i kept it closed i wouldnt have had trouble. aside from the back having a little trouble fully locking in, but that was easily remedied. i do reccomend it as a fairly cheap alternative to the ikonta ($50-60 usd for a good moskva vs $400-500 usd for a ikonta c)

A fine mini-review, content-wise, but man, there's a thing called paragraphs that will make this tenfold easier to read... :D
 
I see a paragraph. :O)

I did read somewhere that camera shake on 1/250 (typically 1/200 on a healthy one) is common with this camera from the shutter spring, as observed by someone here. Not something I woudl have thought about.

I call mine my 'headache cam'. I'll spare you most of the stories.

The folding latch on mine is worn/bent/folded over to the point it doesn't work. That is really a pain in the neck. I keep it in a recloseable sandwich bag to keep it from flying open. I'm pondering a fix...maybe epoxying a small metal piece to give the latch an edge again.

The only light leaks I have had were during my stubborn 220 experiment phase. I hand-wound, and masked the 6x6 mask further down to 6x4.5. Not exactly easy to use., but I get 27 light-leaky images per 220 roll (don't try this at home). Maybe I should try it again at night where light leaks won't be a bother.

I appear to have good focus if I use good Tessar/folder practices; wind after opening bellows to maintain what iffy film flatness is available, stop down to f/11 or 16 and stop trying to use DOF scale focus until I am careful enough to do it right. There is a nice scale on the lens, which none of my scale focus folders have, so it SHOULD work. I had one blurry roll that was depressing - lab said 'looks like Holga!' ("^&!@^& - not SUPPOSED to" was my thought.) Hasn't happened since, have to blame operator I guess.

RF brightness is worst in bright sun...I would have expected it to be more difficult to see in the dark. I want to try the dark dot on RF window visual enhancement fix posted by Rick Olesen and others...just not sure if the unusual RF on the M5 agrees with this technique.

See johndesq.com for content-rich Moskva 5 resources.
 
Last edited:
I have a lovely Moskva 5 that I bought from eBayer 'Grizzly Bear' that I'm sad to say I haven't got around to using yet. I bought an Iskra at the same time and that has commanded my attention with it's inique qualities. The Moskva is slowly working it's way up the 'please use me' list and should hit the start line any day now!

I'm crossing my fingers that it has no light leaks and no other issues! :angel:
 
The Moskva 5 and the later model of the Moskva 4 are great cameras.
The only real issue these may have is a loose front standard which could be difficult to repair. I have been able to fix all other problems so far. I have not had to replace a bellows yet.

The Moment/Industar lens combinations compare favorably to the Super Ikontas. I have never had to open more than f8 and usually f11 with either Moskva or Ikonta and negatives seem virtually identical. The lenses are nicely coated.

The viewfinder is easy to clean and when clean is far better than those wretched Albada finders found on the Super Ikonta C models.

Buying from the FSU has been interesting. I received one camera merely wrapped with one layer of corrugated cardboard, then taped up and addressed. Fortunately it was also in it's case which is so absolutely robust it could have protected the camera from anything. The camera miraculously arrived in great shape.

I primarily use cameras like this when backpacking as they are so darned lightweight and can be used without a tripod if necessary.
 
Last edited:
Moskva 4 (first model)

Moskva 4 (first model)

This is a picture I shot about two years ago with a Moskva 4, using Ilford XP2 film. I shot this camera handheld at about 1/100 sec. The neg is quite sharp from edge to edge.
 

Attachments

  • Cliff and bird.jpg
    Cliff and bird.jpg
    208.9 KB · Views: 2
I have had my Moskva for almost a year now. I love it. Wouldn't trade it. I don't understand the problem with light leaks around the window. I can leave my window open and still not have leaks show on film. But my slider still works and I still have the red window on there as well. I haven't used the mask but my understanding is those are iffy at best and mine has been bent a bit by my pulling it out and setting it aside mostly. I want to recover mine with new leatherette and a good cleaning but they seem to have discontinued all the designs I liked. The double exposure lock was disabled pretty soon after I got it. It was fine at first but then it started to not catch completely when the film was advanced so I had to disable it. I had a little trouble early on but for the most part no problems now. I am glad to see so many other Moskva users here. It is sad that so many people have bad experiences with them because I and the people I share pictures with just love this thing.
 
I got a Moskva 5 with a Moskva 4 lens. It does not seem to be a Frankenstein project camera but most likely a product with left over parts from Moskva 4. Some claim that the lens on the Moskva 4 is sharper than the lens on the Moskva 5.

Thanks for reminding me to use this camera. It is heavy though.
 
The Moskva 5 and the later model of the Moskva 4 are great cameras.
The only real issue these may have is a loose front standard which could be difficult to repair. I have been able to fix all other problems so far. I have not had to replace a bellows yet.
...

I got one super cheap off ebay and learned why. Loose front standard. I don't see anything that should latch in place to keep it where it should be. Oh well, lucky me; how many have a rangefinder with front tilts? :D

I have run a roll though but haven't had a chance to develop it yet. I'm keeping my fingers crossed.
 
Thanks Theburk, And A Question for 6x9 Lovers

Thanks Theburk, And A Question for 6x9 Lovers

Welcome Theburk and thanks for your insights.

As a photographer that never experienced the 6x9 format, I would like to ask the folks participating in this thread, something like "what is the life with the 6x9 format".

Of course that for one film per year, there is no much need to detail. But I would like to hear from those among you that use or used this format quite often, what subjects do you use it for, do you actually may do big enlargements out of it, and how do you manage all the related costs.

Cheers,
Ruben
 
Last edited by a moderator:
Welcome Theburk and thanks for your insights.

As a photographer that never experienced the 6x9 format, I would like to ask the folks participating in this thread, something like "what is the life with the 6x9 format".

Of course that for one film per year, there is no much need to detail. But I would like to hear from those among you that use or used this format quite often, what subjects do you use it for, do you actually may do big enlargements out of it, and how do you manage all the related costs.

Cheers,
Ruben

I don't do big enlargements as I don't darkroom print anymore. However, to me, 6x9 is useful for when you want that much real estate. Scenics come to mind as a good use, both b/w and color. It is almost a natural panoramic. In general it provides a very large negative with lots of usable room, and in something like a non-RF, gives that with very little weight. I have a non-RF Zeiss Ikon that I don't think weighs as much as my Weltini.
 
Back
Top