W/NW B&W Landscapes

[Out to Lunch]

Vung Tau, Back Beach. Epson R-D1 - Voigtlander 4.5/15 super-wide heliar V.II.

 

[Erik van Straten]

gelatin silver print (nikkor 50mm f1.4) nikon s2

Amsterdam, Frankendael, 2023

Erik.

 

[Out to Lunch]

Moldova, near Chisinau. Canon 30D - lens unknown.

 

[Out to Lunch]

Toronto, Woodbine Beach. Epson R-D1s - Voigtlander 1.2/40 SC.

 

[dourbalistar]

RETO Ultra Wide & Slim, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.


2023.04.10 Roll #328-07943-positive.jpg by dourbalistar, on Flickr

 

[Out to Lunch]

Downtown Toronto as seen from Center Island. Canon 350D - EF-S 4.5/5.6/10-18 @15mm.

 

[Arnold Layne]

M8 | Summicron-C 40

 

[dourbalistar]

Lower Inspiration Point, Bryce Canyon National Park.

RETO Ultra Wide & Slim, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.


2023.04.10 Roll #328-07947-positive.jpg by dourbalistar, on Flickr

 

[Out to Lunch]

Greece, Lefkada, Sivota. Fuji X-Pro1 - XF 2/18.

 

[Erik van Straten]

gelatin silver print (nikkor h auto 50mm f2) nikkormat ftn

London, Richmond, 1974

Erik.

 

[Deardorff38]

I had processed some Adox CMS20 in Pyrocat and wasn't impressed with the results. Since i had a few more rolls, I broke down & bought some Adotech lV with my last order from B&H. Here are two photos from a few days ago, bright contrasty early afternoon light. Adox CMS20 @ iso 6. orange filter. I look forward to working on some other subjects.

 

[Erik van Straten]

silver gelatin print (summilux 35mm f1.4) leica m5

Amstelveen, 2017

Erik.

 

[Erik van Straten]

gelatin silver print (summicron 35mm v4) leica m5

Amstelveen, 2004

Erik.

 

[Deardorff38]

Test print from my last roll of Efke R100. Pentax 645/yellow filter/200m lens. Pyrocat HD. Print on Ultrafine FB

 

[newst]

Bessa T, Elmar 3.5/35, CATLAB 320

 

[dourbalistar]

Lower Inspiration Point, Bryce Canyon National Park.

RETO Ultra Wide & Slim, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.


2023.04.10 Roll #328-07948-positive.jpg by dourbalistar, on Flickr

 

[dourbalistar]

Red Canyon, Dixie National Forest, Utah.

Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.


2023.04.13 Roll #330-08057-positive.jpg by dourbalistar, on Flickr

 

[Arnold Layne]

M8 | Summicron-C 40

 

[dourbalistar]

Lower Inspiration Point, Bryce Canyon National Park.

RETO Ultra Wide & Slim, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.


2023.04.10 Roll #328-07950-positive.jpg by dourbalistar, on Flickr

 

[Freakscene]

Lower Inspiration Point, Bryce Canyon National Park.

RETO Ultra Wide & Slim, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.


2023.04.10 Roll #328-07950-positive.jpg by dourbalistar, on Flickr

This is fantastic. It’s such a beautiful place.

There is one thing that is very apparent here that my digital monochrome cameras also do sometimes. To my eyes, there is something not quite right about the rock compared to what I see/have seen - I am still not sure if it is tonal (do I think it should be lighter or darker grey? Not sure there either!) or if there is less texture/comtrast than I perceive. Or both. But quite a few of my photos from India (western Rajasthan is basically light yellow/golden sandstone, both landscape and human constructions) are in the ‘still working on it’ folder because they still look slightly different to what I want. I used to think with film that the lack of resolution was doing it, but a 60mp digital sensor with a stopped down Leica asph lens put that idea in the ‘um, no’ theory pile. Maybe if I can put my finger on it I’ll be able to manage the photos better.

But long way to a short question, is it juts me? Does the tone/texture of the rock here bug you?