Nokton48
Mentor
Probably. I shot multiples and bracketed a bit. F11 F16 prolly.
Vince Lupo
Nobody's Mentor
Richard G
Mentor
Beautiful Vince.
Vince Lupo
Nobody's Mentor
Thanks Richard - I’m always on the lookout for things around the house I hadn’t noticed. After 21 years here I still manage to find things.Beautiful Vince.
BTW it’s an Amaryllis and — a tomato plant!
JoeV
Thin Air, Bright Sun
What I like about your work, Vince, is that it’s distinctively yours. I scroll down this thread and, without reading who the posting member is, and I can spot your images immediately. Another great shot!
Vince Lupo
Nobody's Mentor
Many thanks Joe! Hoping we'll have a chance to meet for many cups of coffee again.What I like about your work, Vince, is that it’s distinctively yours. I scroll down this thread and, without reading who the posting member is, and I can spot your images immediately. Another great shot!
Vince Lupo
Nobody's Mentor
Not sure which I prefer. With the 907x and 65/2.8.
Sunday Dinner1 by Vince Lupo, on Flickr
Sunday Dinner2 by Vince Lupo, on Flickr
Sunday Dinner1 by Vince Lupo, on Flickr
Sunday Dinner2 by Vince Lupo, on Flickr
Vince Lupo
Nobody's Mentor
Nokton48
Mentor
18x24 8x10 Norma 300 Symmar Norma Auto Iris by Nokton48, on Flickr
CFV16 Fat Pixel Digital Back Hasselblad 500C/M 80mm C T* black Planar. Broncolor Balloon 90 degrees camera left to set as overall fill. Broncolor Octobox 150 45 degrees camera left, one stop brighter than Balloon fill. Silver fill panel camera right at 45 degrees. Bracketed exposure at 1/2 stops, then picked the frame that looked best on my computer.
Sinar 18x24cm 8x10" Norma 300mm f5.6 chrome Schneider Symmar Sinar Norma Automatic Iris mount. 8x10" Norma Bag Bellows and Norma Monocular in the back. Sweet to look through. Norma Pan Tilt Head and Manfrotto tripod. A good Traveling Norma I used to use in the field. This is a super speedy camera to operate, no need to go back and forth when operating, all controls are fully seen and set from behind the camera. I've had to shoot fast and this does the job best IMO. This is a later version Norma as it does not have not have locking levers front or back. I guess they figured the camera was tight and smooth enough that it doesn't need locking levers. This one is as smooth operating as is possible.
CFV16 Fat Pixel Digital Back Hasselblad 500C/M 80mm C T* black Planar. Broncolor Balloon 90 degrees camera left to set as overall fill. Broncolor Octobox 150 45 degrees camera left, one stop brighter than Balloon fill. Silver fill panel camera right at 45 degrees. Bracketed exposure at 1/2 stops, then picked the frame that looked best on my computer.
Sinar 18x24cm 8x10" Norma 300mm f5.6 chrome Schneider Symmar Sinar Norma Automatic Iris mount. 8x10" Norma Bag Bellows and Norma Monocular in the back. Sweet to look through. Norma Pan Tilt Head and Manfrotto tripod. A good Traveling Norma I used to use in the field. This is a super speedy camera to operate, no need to go back and forth when operating, all controls are fully seen and set from behind the camera. I've had to shoot fast and this does the job best IMO. This is a later version Norma as it does not have not have locking levers front or back. I guess they figured the camera was tight and smooth enough that it doesn't need locking levers. This one is as smooth operating as is possible.
Vince Lupo
Nobody's Mentor
With the 1000f, 80/2.8 Opton-Tessar, CFV II 50C digital back.
Kitchen Tulips by Vince Lupo, on Flickr
Kitchen Tulips by Vince Lupo, on Flickr
Vince Lupo
Nobody's Mentor
1000f, 12.5cm f/2 Schneider-Göttingen Xenon, CFV II 50C digital back.
Manassas1 by Vince Lupo, on Flickr
Lee by Vince Lupo, on Flickr
Manassas1 by Vince Lupo, on Flickr
Lee by Vince Lupo, on Flickr
Vince Lupo
Nobody's Mentor
Vince Lupo
Nobody's Mentor
1000f, 12.5cm f/2 Schneider-Göttingen Xenon, CFv II 50c digital back.
Manassas3 by Vince Lupo, on Flickr
Manassas3 by Vince Lupo, on Flickr
ChrisLivsey
Mentor
Is that "plastic fantastic" digital, and a left eye shooter I note?
Vince Lupo
Nobody's Mentor
She likely got better photos than I did.Is that "plastic fantastic" digital, and a left eye shooter I note?
Vince Lupo
Nobody's Mentor
With the 1000f, 80/2.8 Opton-Tessar and 12.5cm f/2 Schneider-Göttingen Xenon, CFV II 50C digital back.
Manassas6 by Vince Lupo, on Flickr
Manassas13 by Vince Lupo, on Flickr
Manassas14 by Vince Lupo, on Flickr
Manassas6 by Vince Lupo, on Flickr
Manassas13 by Vince Lupo, on Flickr
Manassas14 by Vince Lupo, on Flickr
Vince Lupo
Nobody's Mentor
Vince Lupo
Nobody's Mentor
1000f and 12.5cm f/2 Schneider-Göttingen Xenon, CFV II 50C digital back.
Manassas12a by Vince Lupo, on Flickr
Manassas10 by Vince Lupo, on Flickr
Manassas7 by Vince Lupo, on Flickr
Manassas12a by Vince Lupo, on Flickr
Manassas10 by Vince Lupo, on Flickr
Manassas7 by Vince Lupo, on Flickr
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Benjamin Marks
Mentor
There's just something about those big 6x6 negatives that is really special. Not duplicated by any sensor. Nice work, Vince.
Vince Lupo
Nobody's Mentor
Many thanks Benjamin - of course the only thing is that all my recent posts were from the CFV II 50C digital backThere's just something about those big 6x6 negatives that is really special. Not duplicated by any sensor. Nice work, Vince.
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