raid
Dad Photographer
You have several special lenses, Erik.
Maybe you should give us here some overview of each of your special lenses one day.
Maybe you should give us here some overview of each of your special lenses one day.
Erik van Straten
Mentor
raid
Dad Photographer
There is such a lens for sale on ebay for 30k EURO.
Erik van Straten
Mentor
I'll look, thanks!There is such a lens for sale on ebay for 30k EURO.
Erik van Straten
Mentor
There is such a lens for sale on ebay for 30k EURO.
[MINT] Leica Summilux-M 50mm f/1.4 Made in Germany Black Paint w/Caps From Japan | eBay
Find many great new & used options and get the best deals for [MINT] Leica Summilux-M 50mm f/1.4 Made in Germany Black Paint w/Caps From Japan at the best online prices at eBay! Free shipping for many products!
www.ebay.com
No, that is another lens, but looks like it. It's the number that is important, 1703XXX, 1959. Balsam separation was often a problem in the later type. I myself have one with such a problem, 18XXXXX.
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Erik van Straten
Mentor
Ororaro
Well-known
Balsam separation is a problem and highly possible on all V2 summiluxes.
raid
Dad Photographer
Do you mean the 35mm 1.4 Lux v2?Balsam separation is a problem and highly possible on all V2 summiluxes.
raid
Dad Photographer
I get it now. It is the early number. The ebay lens has number 2 xxx xxx[MINT] Leica Summilux-M 50mm f/1.4 Made in Germany Black Paint w/Caps From Japan | eBay
Find many great new & used options and get the best deals for [MINT] Leica Summilux-M 50mm f/1.4 Made in Germany Black Paint w/Caps From Japan at the best online prices at eBay! Free shipping for many products!www.ebay.com
No, that is another lens, but looks like it. It's the number that is important, 1703XXX, 1959. Balsam separation was often a problem in the later type. I myself have one with such a problem, 18XXXXX.
Erik van Straten
Mentor
Yes, the early number. Most likely the design of the early lens is not by Leitz, but by Taylor, Taylor & Hobson. The collaboration between the two firms already existed in the 1920s. Zeiss was already working on the Sonnar at the time and Leitz wanted a faster lens for the Leica. That's why Leitz sought cooperation with the English firm.
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