Medium Format ... long may it live!

[Silvrwhls]

Youre right! Nice perspectives. I think I like the 1st one better xD

In all seriousness, I like that you added the second photo because it really does show you scale and perspective.

Thanks for sharing!

 

[lam]

Contemplating a "vertical" grip to make images horizontal..!
Fujifilm GA645, Neopan 100 Acros in Rodinal


Abandonned walls. by lamlux.net, on Flickr

 

[gogovisono]

Bali-Tri-X -001.jpg by gogovisono, on Flickr


Natives on Bukbuk(?) Beach by gogovisono, on Flickr


Villagers #1 by gogovisono, on Flickr

all on a Mamiya 7 with the 65mm lens. loving this

 

[Pete B]

Hasselblad 500c/m, 80mm f2.8, Fuji 400H, V700, Vuescan.
Pete

 

[filmfan]

Mamiya 645 Pro / 80mm f/1.9 / Neopan 400 / Rodinal 1+50

Early Summer Dip (sorry if you've seen it before)

 

[2WK]

M7ii 80mm, Delta 400 & 3200 in Ilfotec DD-X

 

[2WK]

Sorry those are massive

 

[corposant]

Are XPan shots considered "medium format?"

 

[corposant]

@2WK - great comps, no matter the size.

 

[gshybrid]

man and his machine... rolleiflex delta 3200

 

[filmfan]

Mamiya 645 AFD / 80mm f/2.8 AF / Neopan 400 @1600 / Rodinal 1+25

1.

2.

3.

4.

//

 

[Alfasud]

Hasselblad 500c/m, 80mm f2.8, Fuji 400H, V700, Vuescan.
Pete

I think this is an amazing use of selective focus. Well done!

 

[ChrisN]

Are XPan shots considered "medium format?"

Not really - usually 120 format film is required.

But the Xpan shots would be very welcome in the Pano photos thread.

 

[Pete B]

I think this is an amazing use of selective focus. Well done!

Thanks, I'm very keen on this shot.
It's an impressive lens.
Pete

 

[rhl-oregon]

Stuck at the SFO airport after midnight, so posting some ETRSi shots with 100/4 macro on expired 100 Tmax:

My Trek hitched to the deer outside Kiva grocery:

 

[BardParker]

First Roll from Mamiya 7

First Roll from Mamiya 7

Developed the first roll of Tri-X in Arista Premium Film Developer in 1:9 dilution. Mamiya 7 and 80mm lens. This image was made of my 15 year old son on the driving range. If I remember correctly, the Shutter speed was 1/125. It captures the moment just after the club has made contact, launching the golf ball:

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00140006 by KentWebb, on Flickr[/IMG]

As always, I'm open to suggestions.

Kent

 

[Texsport]

Developed the first roll of Tri-X in Arista Premium Film Developer in 1:9 dilution. Mamiya 7 and 80mm lens. This image was made of my 15 year old son on the driving range. If I remember correctly, the Shutter speed was 1/125. It captures the moment just after the club has made contact, launching the golf ball: As always, I'm open to suggestions.

Kent

Nice cross-lateral weight shift and Augusta National cap!

Texsport

 

[KoNickon]

This made me think of one of the best cover photos from Sports Illustrated that I ever saw, which was taken with a Mamiya 7 -- a view above and behind Tiger Woods as he was teeing off at (I believe) the Masters, which he won. He was and is really persnickity about shutter noise, so the 7 was a prudent choice even though the photographer was far enough away that I doubt he'd have heard it. Hopefully your son is more tolerant!

Developed the first roll of Tri-X in Arista Premium Film Developer in 1:9 dilution. Mamiya 7 and 80mm lens. This image was made of my 15 year old son on the driving range. If I remember correctly, the Shutter speed was 1/125. It captures the moment just after the club has made contact, launching the golf ball: As always, I'm open to suggestions.

Kent

 

[BardParker]

4/8/2001 An Overcast Day Turns Sunny as Tiger Woods Wins The Masters

4/8/2001 An Overcast Day Turns Sunny as Tiger Woods Wins The Masters

http://www.sportsshooter.com/news/497

(This is an excerpt from the article.)
Fred Vuich's picture became an instant classic after it was chosen to be the Sports Illustrated cover for the April 16th issue highlighting Tiger Woods winning his fourth straight major. Vuich's classic cover was beautiful and clean with only one word splashed across the top that said it all: "Masterpiece."

Vuich, a staff photographer for Golf Magazine, was covering his 12th Masters, but it was his first year as part of the SI team (Golf is now under the Time-AOL ownership umbrella). He was assigned by SI picture editor Matt Ginella to shoot the 16th green and 18th tee on the final day.

"After I shot Tiger and Mickelson on the 16th green I left all my stuff with my film runner and took my Mamiya 7 to the tower at 18. It was an overcast day but by 17 green the sun popped out around 6:45pm. The light was perfect. The TV person moved to the side of the teebox. I wanted to see Tiger's face- the only time you can see it is at the top of his backswing. I only made one frame and fortunately it worked. I shot the one frame of Tiger and then Mickelson got up to the left side and it didn't look as good...it wasn't a good picture." Vuich said.


"I thought it would make a nice opener or a Leading Off. I shot the picture horizontal on Fujichrome Astia with my Mamiya 7 (6x7 format) and a 43mm lens. I shoot all of our course scenics with this camera. It's really easy to work with and it's so quiet. It's never a problem to shoot at the top of the backswing," Vuich added.


(I agree with you. One of the best sports covers ever!)
Kent

This made me think of one of the best cover photos from Sports Illustrated that I ever saw, which was taken with a Mamiya 7 -- a view above and behind Tiger Woods as he was teeing off at (I believe) the Masters, which he won. He was and is really persnickity about shutter noise, so the 7 was a prudent choice even though the photographer was far enough away that I doubt he'd have heard it. Hopefully your son is more tolerant!

 

[Ronald_H]

Hasselblad 500 C/M, Zeiss Planar 80mm f2.8, Ilford Delta 400, developed in Kodak HC-110. Scanned with an Epson V500 with native software.


Never underestimate my bokeh by Ronald_H, on Flickr